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After dinner, Nina suggests that she and Meredith get drunk. They take shots of tequila and begin talking. Nina asks Meredith if anything is wrong, but Meredith isn’t ready to tell her about Jeff, so she deflects the question. Nina brings up the fairy tale again, but Meredith insists that she won’t listen to any more of their mother’s stories and goes back to packing boxes.
Nina takes the vodka to her mother’s room and tells Anya that she promised Evan she’d listen to the entire fairy tale. Nina’s statement reminds Anya of her own promise: She drinks a shot of vodka and says if she tells the story, she must do it her way. There will be no interruptions, she’ll only tell it at night, and they’ll never mention it during the day. Nina turns off the lights, and Anya begins the fairy tale from the point when Vera is planning to sneak out and see Sasha, the prince.
Vera helps Mama in the kitchen as she prepares food for the winter. Vera is almost 16 and preoccupied with Sasha. Vera asks her mother to tell the story about how she and Petyr, Vera’s father, met. The teen thinks the story is romantic and knows her mother will understand her feelings for the prince. That night, when her parents are asleep, Vera says goodbye to her sister, Olga, and climbs out the window. She meets the prince at the bridge, and they kiss. Suddenly, the prince pulls Vera down and tells her to be quiet. They watch as a black carriage stops in front of Vera’s house. Three trolls go inside and drag Petyr out, shoving him into the carriage before driving away.
Vera runs across the street and asks Mama where they’ve taken Papa, but Sasha comes up behind her and says the Black Knight has taken him. He also says his family is imprisoned and cannot help them. Vera’s mother walks her into the house, and when Vera looks back, Sasha is gone. Life for Vera’s family changes dramatically. They don’t laugh or smile and lose hope of Petyr’s return.
Anya stops telling the story, leaving Nina with several unanswered questions. Anya begins to knit, so Nina leaves and thinks about the passion with which her mother tells the story.
Meredith had also been listening to the story without Anya or Nina knowing. Meredith leaves the house and returns home when the story ends, not wanting to get caught eavesdropping. She returns to Belye Nochi the next day to check on Nina and resume packing. She finds Nina at the kitchen table, surrounded by books and paper. Nina says she’s trying to piece together the story, having realized that some details relate to real places. Meredith refuses to be sucked in by the fairy tale and leaves to go grocery shopping.
Nina continues her research to find connections between real life and the story. Meredith prepares dinner, and the three women sit down together. As they eat, the women share facts about themselves before falling silent. Afterward, Meredith goes into her father’s study and looks for some documents she needs for the business. As she sorts through Evan’s files, she finds a letter to Anya from a professor of Russian studies, Vasily Adamovich, from the University of Alaska in Anchorage. She then hears her mother telling the fairy tale, so Meredith leaves the study.
That evening, Anya continues telling Nina the story. Vera is now a relative to the kingdom’s enemy, so she knows she must always be careful. Her neighbors act differently toward her, and the black carriages drive around the city, arresting other people deemed an enemy of the Black Knight. Vera is now 17 and trying to survive her difficult circumstances. She works in the castle library and fears the trolls will arrest her, her mother, or Olga. She tries to forget about Sasha but can’t. On Friday morning, Vera walks through the frozen city to the Great Hall of Justice to inquire about her father. After standing in line for two hours, Veral talks to a goblin, who tells her the government is studying his case. This news confirms that Petyr is still alive, so Vera leaves and goes to work.
Vera goes to the Hall of Justice every Friday, and the goblin tells her the same thing. One day, Mama says they must move in with her mother, Baba, because the food warehouse has cut her wages. They must leave tonight, so Vera goes to her room and packs her few belongings. When Vera and Olga arrive at their grandmother’s single-room apartment, they promise to be no trouble. Vera becomes angry and short-tempered, working all day at the library and into the evening with chores at home. She continues to ask about her father on Fridays, though her mother asks her to stop. Vera goes to the Hall of Justice on one such Friday, but the goblin tells her no one by that name lives in the kingdom—Vera’s father is gone.
When Vera returns home from work that night, Mama sees her forlorn face and takes her daughters to Grand Park despite the cold. Vera explains what happened at the Hall of Justice and that Papa is gone. Mama knows they’ve killed him, telling Vera she let her go each Friday so Vera could learn the truth in her own way. Mama then tells the girls they must continue living and stop dreaming, saying they will never speak of Papa again or show emotion about him. Mama then pulls a beautiful cloisonné butterfly out of her pocket, saying it represents those the family has lost.
Winter turns to spring and summer, and Vera laments that she can’t attend university to study great writers and artists. Mama reminds her that she works in a great library and passes the royal museum on her way home. Vera ponders this and asks an old man at the library for a tutor. He says he’ll talk to some students for her, though doing so is dangerous for both of them.
Meredith arrives home at midnight, and Nina arrives a few minutes later. Nina begs her sister to talk to her, hoping to strengthen their relationship as sisters. Meredith finally opens up and tells Nina that Jeff left her. The sisters then drink wine together, toasting to new beginnings.
On the evening of Evan’s birthday, Meredith and Anya go into the winter garden. Nina brings out the rosewood box containing Evan’s ashes. As she approaches her mother and sister, Nina trips and loses control of the box. It shatters against one of the copper columns, spreading Evan’s ashes everywhere. Anya helps Nina up, and the three women laugh together for the first time. The women then sit down to dinner, starting with a shot of vodka and a toast to Evan. They continue their tradition of sharing random facts about themselves. Anya says Evan promised to take her to Alaska, and Meredith admits she has always wanted to go. Suddenly, Anya walks out of the room, leaving Nina and Meredith in dismay.
That night, Meredith and Nina stay up late talking. The next day, Meredith continuously thinks about what she wants, realizing she’s tired of hiding behind a busy schedule. She drives to Jeff’s office and visits him, telling him she’s tired of putting everyone else’s happiness ahead of hers. Meredith drives home and calls her daughters, and then walks to Belye Nochi. Anya is in the living room knitting, so Meredith goes upstairs and begins packing her parents’ closet. Meredith then hears Nina’s voice talking to Anya in her bedroom, and she remains hidden in the closet as Anya begins the fairy tale.
It’s summer in the Snow Kingdom, and the sky stays light even at midnight. Vera is cleaning the library’s manuscript room when a woman appears and tells her a student needs her assistance. Vera goes to the library’s main hall, and Sasha calls out to her and tells her he’s been waiting for her. Vera pretends to be ill, begging the head librarian to send her home. She arrives at her apartment and tells Baba that she’s going into the country to pick vegetables. Baba warns her to be careful, and Vera rides her bike through the city to the Summer Garden. She sees Sasha, and he walks her to a picnic. They talk about what they’ve done when they’ve been apart and other information about themselves, stopping periodically to kiss. They stay all night, finally leaving just before dawn. They arrange to meet tomorrow afternoon. Vera arrives home and finds Mama waiting for her. She lies to explain her late arrival and lack of vegetables, but Mama warns Vera to be careful and not to lie to her again.
Vera wakes the next morning and washes her hair. Mama tells her to invite her young man to their apartment on Sunday, making Vera very happy. On the walk to work, Vera tells Olga about the prince and that she’s meeting him again today. Vera arrives late at the library, and the librarian says someone saw her at the park yesterday and not to miss work again. Vera feels trapped between needing her job and wanting to be with Sasha.
Vera runs to the trolley when her shift ends and gets off at her stop. She sees two black carriages in front of the bridge and freezes, fearing they’ve arrested Sasha. Though a man warns her that they’ve taken her man away, Vera sees Sasha standing under a streetlamp. They embrace and walk into the Royal Theater, slipping into a private box closed for repairs. They watch the ballet for two hours, and Vera is transfixed. After the show, the couple makes love.
On Sunday, Vera walks Sasha to her apartment. At the front door, Sasha asks her to marry him, and Vera says yes, especially because she knows she’s pregnant. They enter the apartment, and Vera introduces Sasha to her family. As they drink tea, Sasha tells Mama he wants to be a poet, causing her to drop a teacup. She accuses Sasha of endangering Vera the same way Petyr endangered his family.
Stepping from the closet, Meredith tells Anya to stop and asks if she’s okay. Anya looks tired and as if she were fading. Meredith tells her mother that she and Nina will take care of her, but Anya asks who will take care of them. In the hallway, Meredith tells Nina she’s been secretly listening to the fairy tale. She then says they’ll talk about the fairy tale tomorrow. After Meredith leaves, Nina stays in the kitchen, thinking about what Meredith said about Anya fading. She has learned to look at her mother without actually seeing her, so she doesn’t notice her mother’s condition. Nina knows she must do better to keep her promise to her father.
In this section, Anya’s fairy tale becomes even more important, allowing the three protagonists to begin Overcoming Grief and Loss. Based on her promise to Evan, Nina finally wears Anya down and convinces her to tell the entire fairy tale, something the girls have grown up with but have never heard in as much detail or completeness. Anya’s shift in attitude about the fairy tale shows that she’s also willing to keep her promise to her husband and finally open up to her daughters about her past.
The fairy tale is an allegory of Anya’s experiences during Stalin’s Great Purge—the Soviet dictator’s systemic persecution of suspected dissidents and his political enemies in the late 1930s—and the Siege of Leningrad (See: Background). All the major elements in the story relate to something real in Anya’s life. For example, Vera was Anya before she changed her name, so anything that happened to Vera in the story happened to Anya when she was in her late teens and twenties. Olga is her sister both in the story and in real life. Likewise, the prince is Vera’s first husband, Sasha, and the fairy tale explains how the two teens met, fell in love, married, and started a family. The Snow Kingdom is Leningrad (now once again known as St. Petersburg), a major city in the Soviet Union. The trolls who arrest Vera’s father are the secret police, and their black carriages mirror the black vans used to arrest any threat to Stalin’s regime. The Black Knight is Joseph Stalin, who established a dictatorship to maintain his control over the country and its people. Thus, when Vera’s father refuses to write what the Black Prince wants, he is arrested and killed.
Anya’s use of the fairy tale to share her past with her daughters reflects The Links Between Family and Identity in the novel, as Anya is gradually revealing who she is and, in turn, helping her daughters understand their mother better. At first, Anya becomes more withdrawn as she tells the story, but over time, telling her story allows her to become close with her daughters for the first time in their lives. For Meredith and Nina, the fairy tale becomes an experience they can bond over as they research the truth behind the story and how it is an allegory for their mother’s life and experience. Under the guise of storytelling, Anya can finally confront the traumas of her past in a way that is challenging, but more bearable, than speaking openly about everything would be.
Foreshadowing is also important in this section. Meredith finds the letter from Vasily Adamovich, a Russian studies professor from the University of Alaska. This letter is a response to Anya’s refusal to share her experience during the Siege of Leningrad with Vasily, who is conducting a research project. Later in this section, Anya mentions that Evan promised to take her to Alaska so she can experience Belye Nochi and see the northern lights again. Meredith tells her mother that she has always wanted to visit Alaska. Both the letter and Anya’s and Meredith’s statements about Alaska foreshadow their trip, beginning in the next section. On this trip, the characters find peace with their trauma and overcome grief, making it a significant event in the plot.
The coldness between mothers and children, which relates to the novel’s theme of Conflict and Redemption Within Women’s Relationships, is also traced back to Anya’s own upbringing. The previous chapters detailed the coldness between Anya, Meredith, and Nina, while in these chapters, it is revealed that strained female relationships originate from Anya’s mother and grandmother. When the secret police arrest Vera’s father, Vera’s mother shuts down, feeling betrayed by her husband and his inability to keep himself and his family safe. This loss causes Mama to be colder to Vera and Olga, forbidding them to speak about their father or express emotion about him. When Vera’s family has to move in with her grandmother, she learns there is little love between her mother and grandmother because Mama married a poet, of whom Baba disapproved.
Thus, three generations of women—Vera, Mama, and Baba—are shaped by a lack of emotional connection with their other female relatives, also invoking The Links Between Family and Identity. This lack of emotion trickles down to Meredith and Nina, who likewise struggle to show emotion and make emotional connections. Emotional repression is therefore a family trait, passed from one generation to the next and creating new damage along the way. However, in the remainder of the novel, the three women will discover how these strained relationships can heal through love, communication, and forgiveness.
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By Kristin Hannah