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On September 20, 1981, two armed Revolutionary Guards enter Isaac’s office in Tehran and arrest him. He remains calm, reflecting on the fact that many of his employees had not come to work that morning. The two guards drive him through the city streets on a motorbike, and he considers the city’s transformation from a Western-style commercial centre to a place of religious oppression. On arrival at the prison, Isaac is locked inside a small and smelly room containing a dozen men. Still calm, he allows his mind to wander to his comfortable home and his beautiful wife, although he feels regret for the recent growing estrangement between himself and Farnaz.
The prisoners are brought unappetizing food and ordered to eat it, and Isaac becomes aware that “his life, if anything is to remain of it, will be very different from this day on” (6). He talks with Ramin, a boy of about 16, whose father is dead and whose mother is in jail. Another prisoner, a middle-aged man in pajamas and good quality shoes urinates on the floor with great shame as he is not allowed to use the bathroom. Isaac is blindfolded and taken somewhere in a van. He thinks of a friend whose name he had seen recently in a list of executed people, and wonders if he himself will be next. He prays.
When his blindfold is removed, he meets a man introducing himself politely as Brother Mohsen. In the airless and lightless basement, Mohsen interrogates Isaac, questioning his trips to Israel and his possible links to Mossad, the Israeli intelligence authority. Isaac denies being anything but a businessman. The questions move to Farnaz’s journalistic articles about a skating rink, which Mohsen calls “a haven for sin” (15). Isaac feels panic as he wonders whether Farnaz is being interrogated nearby. Mohsen ends the interrogation saying, “We’ll have to investigate” (15).
Isaac is taken to a cell where he finds the boy Ramin and a man called Mehdi, who has bandaged feet as a result of foot lashings. Mehdi has spent eight months in the prison and explains that he is a communist, like Ramin’s mother. The communists had been fighting against the Shah’s old regime and are now fighting against the new Islamic one. Lying awake at night, Isaac recalls his troubled childhood and then whispers goodnight to Farnaz, imagining her scent of orange blossom.
The perspective shifts to that of Farnaz, on the same night. She lies in bed pondering the breakdown in her relationship with Isaac, wondering why even a dog “could make Isaac’s eyes laugh in a way she herself had not been able to do in months” (22). Suffering a migraine, she goes outside and is terrified by an imagined vision of a man hanging from a tree in the garden.
The next morning, she explains to her Muslim housekeeper Habibeh, that Isaac has been arrested. Habibeh reassures her and says she will pray for him. She tells Farnaz that she should drink less, since alcohol is illegal now. Farnaz wonders: “when did Habibeh become so law-abiding?” (25). Farnaz dresses in modest clothing and covers her hair, ready to take her daughter Shirin to school and then start looking for Isaac. She contemplates how life goes on around her while her world is collapsing.
At the entrance to one prison, the young guard refuses to help her and tells her to get lost.
The focus returns to Isaac in prison, where the call to prayer draws the men to the mosque. Isaac decides to attend, like Mehdi, in the hope of improving his situation, and a fellow prisoner shows him how to perform his ablutions before prayer. However a guard yells at Isaac—unless he wants to convert to Islam, he must go back to his cell. There, Isaac recalls losing his virginity at the age of 18 to an American girl, after a night of drinking the strong liquor arrack with a group of off-duty American soldiers. Despite the girl’s refusal to see him again, the memory of the experience is pleasant, and he values the confidence and belief in a life of exciting possibilities that it instilled in him.
In Brooklyn, New York, Isaac’s son Parviz is feeling lonely and missing his parents, with whom he has not talked for a month. He receives a short letter from his sister but is disappointed that it doesn’t contain the usual coded message that his parents are sending him money. Parviz’s basement flat is shabby, and his kitchen contains only a little food. His landlord visits to ask for the overdue rent, and then invites Parviz to the family Sabbath meal. Parviz reflects on the busy family life above him, and how his own home life in Tehran was so much easier and more luxurious than his current life. His landlord’s Hassidic Jewish family is kind and welcoming, but Parviz feels repugnance towards them and vows not to visit their home. He calls home and Habibeh answers, telling him his father is on an “unexpected trip” (42), which Parviz knows means trouble. Parviz remembers with fondness his father’s study full of antiques and then their sad farewell as he left for the US a year earlier. Nostalgic for each member of his family, Parviz addresses his father: “Baba-jan, I am not happy. Where are you?” (45).
Shirin, the Amins’ nine-year old daughter is very worried: It has been two weeks since Isaac disappeared, and also her mother’s ring and silver teapot have disappeared and Shirin fears that she may have stolen them without realizing. Her mother reluctantly suspects Habibeh. At school, Shirin retreats from her classmates’ games, feeling tired and anxious. Her friend Leila reassures her that the objects at home have probably just been misplaced, and Shirin tells herself that her father will probably return, along with the missing items.
In this first section of the novel, the main characters are introduced, with at least one chapter dedicated to each of their perspectives. The atmosphere of tension and insecurity that takes over their lives is also established.
Isaac’s initial arrest functions as a kind of meditative retreat—as his physical liberty is curtailed, so his mind wanders freely. His frequent flashbacks allow him to consider how his previous experiences have shaped the man he has become: For example, his memory of losing his virginity is a source of strength and optimism. At the same time, he has a new perspective on his estrangement from Farnaz—from this vantage point, their growing apart seems petty, and he feels guilty at not being a more dedicated husband and father. Similarly, the arrest prompts Farnaz to put aside her suffering from the loss of intimacy and affection with Isaac. Instead, she remains a dedicated wife, strong enough to search for her husband and proclaim his innocence.
The theme of religious belief and spirituality are introduced in these chapters. Under the new strictly Islamic regime, the complexity of Iranian society with its multiple religious communities is wiped away as formerly normal activities are criminalized. Isaac becomes suspect simply for being Jewish, as his interrogator recasts visits to Israel as part of a sinister plot, invoking standard anti-Semitic tropes. Isaac veers between denying God, praying in his own faith, and dabbling in Islam to make his life in prison easier. Similarly, Farnaz alters her dress to match the new Islam-based rules about women’s propriety—though she is Jewish, the new state has room for only one narrowly rigid view of morality. In contrast, Parviz’s experiences in Brooklyn show how freedom allows a vibrant spectrum of faiths—and even subdivisions within faiths—to thrive. A secular Jew, Parviz is put off by the intense religiosity of his Jewish landlord—each existing with the knowledge that they are entitled to their beliefs without fear of the government.
Farnaz’s point of view brings up the theme of material wealth and possessions. For her, life under the new repressive regime has brought deprivation and the inability to rely on objects as possessions or means of self-expression: Her huge house is now no longer necessary; her clothes now reflect external forces of new laws; and rather than being a comforting marker of wealth, her long-term housekeeper is now possibly stealing from her family. Obsession with material objects and their loss are also important for Shirin, whose concern for the loss of her mother’s ring and teapot is almost as great as that for the disappearance of her father. Similarly, Parviz compares his lonely, poverty-stricken life in New York with the ease of his former family life in Tehran. Missing his parents as well as the material comforts they provided, he feels keenly the changes in his circumstances.
Sensory stimuli often summon comforting nostalgic scenes and feelings—in almost every chapter, the characters’ immersion in the beauty of sights, sounds, and especially smells, contrasts with the severity of the new Islamic regime with its strict denial of sensory pleasures. For instance, after hearing of his father’s arrest, Parviz finds some solace in looking at murals of the Mediterranean and hearing a Sinatra song his father used to play.
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