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Cooper notices how he tends to focus on the future, while Vanderbilt focuses on the past. Vanderbilt tells him that her focus on the past has increased with age, and he says he is always thinking about and making plans for the future. He asks her if she thinks about death, and she says that she is not ready to die yet but that it is always there and something over which no one has control. She tells him how to arrange her body and funeral after her death and notes that she would like to be cremated; she wants some of her ashes placed in his father’s grave while he keeps another part of her ashes. Cooper agrees to her wishes and then asks her if she has any regrets.
She recalls Naney singing a song by Edith Piaf about having no regrets, and Cooper doubts that anyone truly has no regrets. He admits that he regrets not talking to Carter more about their feelings and wonders if things might have turned out differently. Vanderbilt reveals that she has many regrets about the things she did and did not do in her life, and she shares a letter she wrote to her younger self. In it, she tells her not to make the mistakes she made and to focus on her art career before marrying someone who is right for her. Cooper regrets not being kind in some situations and asks his mother if her view on life has changed. She explains that her insecurities and fears have lessened over time and that she is now confident in herself. She also holds onto hope for love, beauty, and adventure. Cooper holds a more realistic approach: He wants to be ready for what awaits him instead of waiting for something that might never happen. He prefers to make peace with the way the world is and adapt to it. Vanderbilt respects this, but she still believes that it is important to have hope. As they finish their year-long conversation on life, Vanderbilt shows Cooper a letter for him to go back to after she dies. In the letter, she congratulates him on the hard work he has done in his life and notes how proud his father would be of him. She encourages him to start a family with his partner, expressing the belief that starting a family is the most rewarding thing she and Wyatt had ever done; she also wants him to share the good things about her with his child. She restates that happiness and beauty are not always visible, but he must remain hopeful.
Cooper and Vanderbilt ended their conversation shortly before Vanderbilt turned 92, but Cooper says their conversation has not completely ended. He reveals that Vanderbilt did not want a birthday celebration, instead wanting to celebrate each day of her life by doing something she loves. For her birthday, they decided to go see a movie, as it was something they always loved doing together but had not done in years. Cooper recalls them seeing movies after his father’s death, which helped him get to know her. He then says that after his brother died, they would see movies together instead of celebrating holidays for a couple of years, finding the holidays too painful to endure after losing Carter. During the latest movie, Cooper thought of his mother as a young girl, watching movies with her governess and entering another world. Afterward, they left for Vanderbilt’s apartment but did not feel the need to talk because they finally knew and understood each other as mother and son.
In this section, Cooper and Vanderbilt near the end of their conversation, finally understanding not only how they are different but also how they are similar. They share their regrets and the comfort they both feel with knowing that good things are present even in dark times, which helps them both with Healing From Loss. They are finally comfortable with each other after talking about their lives, showing The Importance of Strong Parent-Child Relationships, particularly in this last section of the memoir. Vanderbilt shares two letters she has written: a letter to her younger self and a letter to Cooper for him to keep after her death. These letters represent both themes: Giving her younger self advice allows her to move on from the pain of the past, and writing a letter for Cooper emphasizes the strength of their relationship and how it is and will be ongoing, even after her death.
Chapter 6 introduces the rainbow as an important symbol for good times, happiness, and beauty. Vanderbilt quotes the line “The rainbow comes and goes” from William Wordsworth’s poem “Ode: Intimations of Immortality From Recollections of Childhood” and uses it to explain her shared philosophy with him: Happiness, like a rainbow, is not always there, but one must hope for and look forward to its return. She explains,
In every life, you have moments of blinding beauty and happiness, and then you land in a dark cave and there is no color, no sky. Then the rainbow returns, sometimes only briefly, but it always does come back. You have to believe that it will, even in the darkest of times. That belief is what is really important (273).
Cooper has a different understanding of the rainbow. He says that while his mother believes “it is out there even when you can’t see it” and “will always return,” he prefers to “teach [him]self to be comfortable in the darkness” in case he is not around when the rainbow returns or if the rainbow does not return at all (275). The rainbow and the authors’ differing outlooks on it reflect their differing attitudes toward hope, stemming from Cooper’s independent personality and work in war zones and disaster-torn areas and Vanderbilt’s unwavering optimism, which she inherited from her grandmother. The symbol appears again in the Epilogue, in which Cooper states the line from Wordsworth’s poem again after going to see a movie with Vanderbilt for her 92nd birthday, the two of them finally understanding each other fully. The connection of this with his assertions that “[he] know[s] her. She knows [him]” and “[s]he is [his] mother. [He is] her son” show the importance of strong parent-child relationships and healing from loss (290). Their conversation has strengthened their relationship and given them joy and peace after so much loss in their lives.
Another symbol in this section, which Vanderbilt briefly uses in Chapter 6, is the dragon, which symbolizes her lifelong sense of pain and loss. In her letter to her younger self, she begins with the line, “For you, underneath happiness lies in wait a dragon” (266). She says that this dragon has been present since her early years in Paris and that she has spent her whole life in “a long search to slay this beast” (266). Vanderbilt has tried to overcome her grief and fear through multiple means, including her relationships with Dodo, Naney, and Auntie Ger and her relationships with men. She explains to her younger self, however, that over time, she has “made the dragon a friend and so can you; the kind of friend who lives in a distant land you touch base with now and again” (267). This makes a dragon also a symbol for her mother, whom she grew up fearing and from whose emotional neglect she had spent years trying to recover. Like the dragon, however, she has made peace with her mother. Overall, the dragon symbolizes her life: By making peace with and forgiving the betrayals and losses she suffered, she has allowed herself to heal. For this reason, the symbol of the dragon also emphasizes healing from loss.
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