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82 pages 2 hours read

The Only Road

Fiction | Novel | Middle Grade | Published in 2016

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Themes

The Drug Trade’s Impact on Central American Families and Children

The novel’s main theme is how economic inequality, corrupt governments, and a flourishing trade in illegal drugs have shaped the politics and social life of countries including Honduras, El Salvador, Nicaragua, and Guatemala. The drugs are largely controlled by gangs or cartels who have almost complete power in their territories, as local officials and police either cannot or will not try to stop them.

These gangs, like the fictional Alphas of the novel, are immensely powerful and maintain that power through a double-edged sword of threats and intimidation, along with the promise of riches not available through any other channel. The gangs bring in young children and raise them up in the ethos of the gang, that leadership substituting for actual parents by providing for them and protecting them in a way their own families cannot.

Most of the migrants trying to go north are doing so because they fear they will be killed if they stay in their native countries. Whether they have actively engaged a gang or been the victim of unfortunate circumstance or just simply been in the wrong place at the wrong time, once a person has the attention of a gang or cartel, their only options are to join them or try to escape.

Jaime and Ángela are such unwitting victims. After Miguel is beaten to death by the Alphas, Jaime and Ángela are potential threats to their power and must either be assimilated or killed. The Alphas invite the children to join them, but doing so would amount to endorsing the very people who murdered their family member. The children and their families all know what refusal will mean, which is why they sacrifice everything to try to get the children north.

While the events of this novel are fictional, they are based in the real-life experiences of hundreds of thousands of people, from families to unaccompanied minors like Jaime and his friends, who have nothing and risk everything in hopes of getting to safety. Diaz’s novel points out the terrible conditions and circumstances migrants endure, the hardship and depravation and fear that are their constant companions along the way. She also highlights figures who try to help, such as Padre Kevin, and those who seize on the migrants’ desperation and exploit that for personal gain, like El Gordo. By having Jaime and Ángela come from Guatemala, Diaz also shows that the bias against migrants is not limited to Americans but exists among the people of Mexico too; she depicts the way Mexican merchants and citizens regard the migrants from the south with suspicion and disgust, painting a terrible portrait of man’s capability to be cruel to his fellow man.

While the drug trade itself is peripheral to the novel, it is one of the fundamental causes of the region’s violence and political instability. Diaz is writing for middle school children, so her focus is on creating empathy for Jaime and Ángela, but there is also a message in this book about the global consequences for local decisions: Those who deal and buy drugs in America have blood on their hands just as surely as do the gangs who facilitate that trade.

The Experience of Migration

Diaz’s introduction to the text signals her personal bias: She is the child of immigrants whose very lives were made possible by their ability to leave Cuba and emigrate to the United States. Migration, she writes, can be “the only choice” (Dedication), a statement which signals her strong support of the political and social right to free movement.

Migration is a hotly contested topic in America and around the world. Europe faces an influx of immigrants from Africa, and there are millions of people trying to flee poverty, warfare, and danger in the Middle East and beyond. Richer, more developed countries have the privilege to decide who they will let across their borders, and many spend hundreds of millions of dollars a year trying to keep certain groups out.

When migration is motivated by economic, social, or political events that put a migrant’s life in danger, the difficulty of crossing borders becomes even more poignant. As Diaz reminds the reader repeatedly, Jaime and Ángela will almost certainly be killed if they stay in their village with their families, and yet giving up their homes and venturing north holds many of the same possibilities for violence and danger. It is an impossible choice that characters in this novel and people in the real world make repeatedly: How do you choose between two terrible options? Diaz introduces characters who have attempted a border crossing several times, repeatedly risking life and limb and growing more aware of the risks each time. Yet they continue to try, their efforts representing their sheer desperation. Migrants who make these journeys, Diaz wants the reader to see, do so because it is the very last thing they want to do. They do it because they see no other options, as reflected by the novel’s title: The Only Road.

Though this is a young adult novel, Diaz does not shy away from depictions of violence. Characters die. But Jaime is just 12, Joaquín only 11, and they are facing these dangers and violence first-hand; Diaz seems to imply that if they are old enough for this experience, then a middle school reader is too. That may be uncomfortable for some young readers and the adults around them, but Diaz’s point is that if the children in her book must face these circumstances, then maybe no kid has the privilege to be ignorant of them.

Compassion

The characters in this novel can roughly be divided into those who try to help each other and those who try to hurt each other. Those who recognize and acknowledge their shared humanity aren’t always rich or happy, but they are portrayed as brave and decent. Minor characters like Padre Kevin, who runs a shelter for migrants, doing his best to feed them and give them safe harbor, and Señora Pérez, who takes pity on Jaime and Ángela, feeding them and driving them to the border, are contrasted with characters like El Gordo, Lalo, and Victor, who help themselves at the expense of others.

The people of Veracruz who throw food to those riding atop the train are contrasted to those who leave racist graffiti telling Central Americans to go home. Each person in the novel has the choice of how to behave: Will they extend a hand to help another, thus exposing themselves to danger, or will they use that hand to take what they can get and push others away? Diaz does not try to understand why some people choose one path and the rest another, but she does invite the young adult reader to consider what might motivate a person’s decisions and which kind of person they aspire to be.

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