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70 pages 2 hours read

Persuasion

Fiction | Novel | Adult | Published in 1817

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Character Analysis

Anne Elliot

The protagonist of the novel, Anne Elliot is a demure woman, “with an elegance of mind and a sweetness of character” that go wholly unrecognized by her family (7). Only Lady Russell perceives Anne’s worth and makes a close friend of her. This intimacy once caused Anne to be persuaded by Lady Russell to refuse Captain Wentworth’s marriage proposal on the grounds of his inferior social status and small income. In the eight years since Anne has last seen Wentworth, she has grown more independent of mind and can distinguish her own opinions from those of Lady Russell and her family. The pride that drives much of the Elliot’s behavior does not motivate Anne; she enjoys the company of characters such as the Crofts, whom the Elliots disdain.

Anne’s character rapidly develops after the reintroduction of Captain Wentworth to her life. She begins the novel as quiet, self-critical, and embarrassed, but once the Musgroves welcome her as part of their family and show her the attention she never received from her own family, Anne develops more confidence. By the conclusion of the novel, Anne has attained enough confidence and self-assurance to approach Captain Wentworth of her own accord. This bravery leads directly to their reunion as a couple. In the final scenes of the novel, Anne asserts that she does not consider herself at fault for their initial breakup, having been young and taken the advice of someone she considered to be her mother. Anne steadfastly protects her sense of identity while recognizing the newfound confidence she uses to make her own decisions in life.

Captain Wentworth

Captain Frederick Wentworth acts as Anne’s main love interest throughout Persuasion. As a newly influential captain in the British Navy, Wentworth returns to England during peacetime and eagerly searches for a wife. His history with Anne creates a latent resentment toward her and her arrogant family; at any instance of pride in the novel, Wentworth is described as turning cool toward that character, having little interest in interacting with the kind of people who once persuaded Anne away from him.

Captain Wentworth’s initial interest in the Musgrove sisters suggests that he is no longer interested in Anne. However, through small acts of thoughtfulness—putting Anne in Mrs. Croft’s carriage, sending her a note on Louisa’s condition—Wentworth contradicts his own professed desire to find a wife in any young woman besides Anne Elliot. He is described as having impeccable manners deep loyalty to his friends. Wentworth’s main role in the narrative is to serve as a catalyst for Anne’s own character development toward self-assurance, independence, and confidence.

By the conclusion of the novel and after his reunion with Anne, Wentworth resolutely admits to the way he himself has acted out of pride. He regrets his inability to sympathize with Anne’s unique position as a young woman without a mother, and admits that it was his own wounded pride that kept him from proposing to Anne immediately after receiving his fortune. Though he once hated pride above all else and believed himself free of it, Wentworth readily admits to Anne that he had an equal part in their separation because he was too proud to return to the woman he still loved but who once refused him.

Mrs. Clay and Mr. Elliot

Mrs. Clay and Mr. Elliot serve as examples of the economic and social threats that Anne and her family face in the novel. The novel’s primary antagonists, Mrs. Clay and Mr. Elliot each threaten the financial or social status of the Elliots. Mrs. Clay attempts to manipulate Sir Walter’s emotions in the hopes of securing herself a comfortable income. Her character is the antithesis of the stock middle-class female characters of Persuasion in that, while each young woman actively pursues marriage, Mrs. Clay behaves in an underhand way per their society’s standards. As a woman born of a lower class than the Elliots and Musgroves, Mrs. Clay is thought to be reaching beyond her boundaries by flattering Sir Walter.

Her second, secret entanglement with Mr. Elliot is all the worse considering that he, too, was attempting to manipulate Sir Walter’s marriage prospects. Furthermore, Mr. Elliot actively flirts with Anne in an attempt to maintain a close watch over his inheritance. Mr. Elliot presents the inverse threat as Mrs. Clay; he is so socially desirable that his true, devious motives almost go unrecognized. It is only Anne’s trust in Mrs. Smith, another social outcast, that saves her from being persuaded into an unhappy marriage with the conniving Mr. Elliot. Neither Mrs. Clay nor Mr. Elliot develop as characters in Persuasion; rather, they serve as threats and reminders to the other characters of what could happen from an unsuitable marriage match.

Sir Walter Elliot and Lady Russell

Sir Walter and Lady Russell represent the middle-class preoccupations that Persuasion criticizes through irony.

As head of the Elliot house, Sir Walter carries with him a great pride for his social rank and family history: “Vanity was the beginning and end of Sir Walter Elliot’s character; vanity of person and of situation” (6). His preference for landed gentry with long histories of aristocratic influence makes him cold, distant, and harsh toward most characters in the novel. Though he changes in a small degree by the end of the novel—in that he approves of Anne’s marriage to Wentworth—Sir Walter generally remains critical and prideful throughout. His vanity puts him in danger with Mrs. Clay, who flatters him so much that he becomes incapable of recognizing her scheme.

Lady Russell, though compassionate, “[has] a value for rank and consequence” that prevents her from recognizing “the faults of those who [possess] them” (12). She has little compunction persuading the Elliot girls in their major decisions and is easily taken in by Mr. Elliot for his showy displays of propriety. She does not deign to intimacy with the Crofts, nor does she engage with Anne’s friend Mrs. Smith, making her a feminine foil for Sir Walter regardless of her kindness toward Anne. However, she plays a motherly role to Anne and is far more considerate than Sir Walter is; by the end of the novel, Lady Russell, too, has come to accept Wentworth as a son-in-law.

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