39 pages • 1 hour read
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The main theme of this novel is the importance of subverting unfair authoritarian systems. North condemns communities like Fairchild, destructive and repressive places that rely on misogyny, homophobia, and racism to keep their citizens in line. There, women have no choices other than to conform to the requirements of motherhood and marriage.
To make a truly inclusive and good society, individuals must be true to themselves. Ada, who has internalized her society’s disgust at her inability of her body to get pregnant, must unlearn everything she has been taught about women who can’t bear children. This happens first at the convent, where other nonconforming women find some respite from the judging world. The rest of her rejection of the conservative ideology indoctrinated in Fairchild happens with the Hole in the Wall Gang, a radical group of independent women who rebel against strict gender norms and are feared for their steadfastness.
Lark also embodies this theme. Treated with inhumane cruelty by his community, he too endures many years of self-hatred. But Lark discovers how to accept and even appreciate himself. In so doing, Lark can live a happier, more independent life. Lark doesn’t allow society to determine who he is.
Exclusive communities controlled by repressive men do not truly care for their citizens. Anyone who wants to live free of repression must reject the identity imposed on them from without and nurture their unique qualities. Only then can they find their Hole in the Wall.
Towns like Fairchild and Casper are racist as well as misogynist. Fairchild teaches their children to hate people nonwhite people—something Ada only realizes after she joins the Gang and meets people like the Native trader Nótkon and the mixed-race News.
Ada learns that the land her town sits on was actually stolen from Nótkon’s people and other Indigenous, after settlers drove them out. Interacting with Nótkon helps Ada see the world through a different lens: Nótkon comes from a different religious background, so his viewpoint contrasts with that of Christians. Ada realizes there are many ways of interpreting the world.
Ada also learns about the demise of News’s integrated town, a happy and peaceful place thrown into racist chaos when Dr. Edward Lively arrives to preach the evils of miscegenation. News is driven away from her family because of racism and bigotry. Before she joined Hole in the Wall, Ada’s white privilege afforded her the ability to ignore these issues.
North encourages her reader to seek out new cultures and people who think differently. Exposure to diversity strengthens communities, making them more accepting and more interesting—a point still relevant to contemporary life. The novel implies a necessity to reckon with our brutal history to move forward as a society.
Despite the individualism American culture promotes, especially in myths of the Wild West, human beings crave community—and the theme of finding one’s community is central to this novel. No one in this novel seeks a life separate from community. Ada finds her place in the Hole in the Wall Gang, Lark develops teams and friendships with other cowboys, and women rejected by their communities flood the Gang’s newly created town.
Though North advocates for self-determination, she does not suggest that independence at the cost of community. Instead, she presents the hopeful message that there is a community for everyone. A great example is the Hole in the Wall Gang. The women who make it up this have individual talents, dreams, and desires. But together, they form a community that accepts and supports one another. They aren’t together simply to survive; rather, each chooses to be part of this community. Most of the women could likely survive on their own, disguising themselves as cowboys and living a nomadic life. But they’re happier together. This is one of North’s most hopeful themes: Human beings must belong, and North inspires her readers to consider what their ideal community would be.
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