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John Harmon is the sole living representative of the Harmon family, whose legacy drives the plot of Our Mutual Friend. His father, also named John Harmon, was a cruel and abusive man who drove his son into exile from England. As such, John grew up away from his homeland and away from his family’s fortune. Whereas many of the other wealthy characters have been raised in a privileged environment, John was forced to make a living for himself abroad. Even beyond the necessity of providing for himself, he sought to forge an identity that was independent of his abusive father; his identity as John Harmon is not one that means much to him, particularly as his father’s death has not ended his cruelty. The will is an example of his father’s manipulation, demanding that John marry Bella Wilfer if he wants to inherit the family fortune. John does not know Bella and fears losing his life and his independence to his father’s cruelty. Even before he reaches England, he resolves to cast off his identity as John Harmon so as to understand the world he left behind. He is therefore the primary vehicle for the novel’s exploration of The Relationship Between Names and Identity.
John’s return to England is a rush of violence and deception that results in the presumed death of John Harmon and the adoption of the alias of John Rokesmith. As Rokesmith, John is a humble man who subsumes himself to his father’s former employee so that he can observe Bella from afar. Whereas many wealthy characters are too proud to work, John presents himself as a willing secretary and lives within his means as he judges Bella’s character. Though he quickly falls in love with Bella, he also abandons any plans to inherit his estate (and her hand, via the will’s terms). He is friends with the Boffins; he loves them for giving him the love and affection that his father denied to him, and he sees them as the rightful inheritors of the estate. John instead courts Bella from afar, and as she outgrows her need to be wealthy, they gradually fall in love. She agrees to marry John right when he is seemingly fired by Boffin, which confirms to John that Bella is everything he hoped that she would be.
At this point, however, John is still living a lie vis-à-vis his true identity. Once John inherits his father’s estate (thanks to the generosity of the Boffins), he is able to construct a new and final persona. The John Harmon who emerges at the end of the novel is not the John Harmon who returned to England, but rather a synthesis of John Harmon and John Rokesmith. The cruelty of childhood, the resentment of his father, the experience of poverty, and the love of Bella combine to create a new version of John Harmon who is content. Bella’s affirmation that she does not need money to be happy is the key to John’s happiness. Once he is convinced that she is sincere, he is free to enjoy the richness of her love and the happiness of their family.
Lizzie Hexam is the most prominent working-class character in Our Mutual Friend and thus embodies many of the class tensions that are explored in the novel. Important to her class identity is her upbringing. Her father was a boatman and a petty thief—someone who frequently took his daughter out at night to help him drag corpses from the River Thames. She loves her father and her brother, the sincerity of her emotion contrasting with the vapid affection shared between many of the middle- and upper-class characters, but she is also ashamed of her father’s actions and consequently of her own background. While she has resigned herself to a life of poverty, corpses, and petty crime, she makes great sacrifices in the hopes that her younger brother, Charley, can escape it. Meanwhile, she continues to demonstrate her loyalty to their father, regarding it as her duty.
Lizzie’s compassion, loyalty, and selflessness also influence her romantic endeavors; she flees her home and friends in London, for example, in large part to protect Eugene from Headstone’s violence. Her continued refusal of Eugene’s affection also stems partly from selflessness that verges on internalized class prejudice: Lizzie confesses to Jenny that she loves Eugene but views any relationship with him as impossible given her lower-class status. However, her avoidance of Eugene is self-protection as much as it is self-denial, as she guesses (correctly, the novel implies) that Eugene has no serious intention of marrying her at this point. She likewise shows her willingness to stand up for herself when rejecting Headstone’s proposal, even under considerable pressure from her brother.
Ironically, it is Headstone’s attack on Eugene that at last enables Lizzie’s happy ending. She agrees to marry Eugene, though even this brief moment of hope is imbued with a sense of sacrifice, as she believes that he is dying. However, much as Lizzie exerts a good moral influence on Eugene, the novel suggests that her love has a near-miraculous power to heal him. Eugene survives and the marriage prospers, even though their future may not be certain. With Eugene on the path to recovery, she is finally able to allow herself to be happy.
Eugene Wrayburn is a young lawyer from a wealthy family. At the beginning of the novel, he has rejected his father’s demands to marry a woman of a similar social standing and is struggling to find any enthusiasm for the career he has ahead of him. Eugene is intelligent and well-educated but has no interest in the law; his career is a function of his social class, as his father, implied to be a member of the landed gentry, wanted a lawyer in the family. Eugene is thus a dislocated product of upper-class alienation: someone who recognizes the vacuous nature of his social group but lacks any motivation to change himself, his peers, or the world around him.
Eugene’s life changes when he meets Lizzie. Typically cynical, he nevertheless falls in love with her at first sight, though their difference in social class means that neither initially entertains the possibility of marriage. This class tension never bothers Eugene, who pursues Lizzie from the moment he meets her. The lack of hesitancy on his part speaks to his privilege. As a wealthy man, he does not feel any compunction about class differences. These matters—which dictate the shape of Lizzie’s world—are a triviality to someone from a wealthy background. Furthermore, for a man, an extramarital affair would be at most mildly scandalous, whereas it could permanently ruin the prospects of a working-class woman like Lizzie. The contrast between the attitudes of Lizzie and Eugene illustrates the way in which the poor are much more beholden to The Rigidity of Social Class than the rich.
Eugene’s dismissive and contemptuous attitude toward Headstone deepens the romantic rivalry that exists between the two men, culminating in an attack that nearly kills Eugene. In an ironic twist, the beating is the best thing to happen to Eugene. Though he nearly died, his near-death experience convinces him to propose to Lizzie, atoning for his former selfishness by attempting to salvage her reputation. By nearly dying, Eugene gains a wife and a purpose.
Bella Wilfer is a young woman from a lower-middle-class family who is implicated in the fortunes of the Harmons: She is written into a will that demands that she marry John Harmon for him to receive his full inheritance. She does not ask to be included in the will in this manner—it is implied that John’s father, a spiteful and abusive man, chose Bella after seeing her throw a temper tantrum as a child, all in an effort to ruin his son’s life—but her inclusion shapes the course of her life. She is forced to live in the constant shadow of a marriage to a man she has never met, with the prospect of a vast fortune being awarded to her. The pressure of this potential marriage shapes her view of the world. She develops a mercenary attitude, committed to doing whatever it takes to become rich. Gradually, however, she comes to loathe her own beliefs. As she admits to her father, she recognizes her own selfish tendencies and tries to change.
Boffin’s seeming change into a bitter miser through his proximity to money proves the catalyst for this transformation. Bella matures while staying with the Boffins, and when John is seemingly fired, she finally disabuses herself of the belief that she needs money to be happy. She leaves their house and marries the apparently poor John, only to discover that he is actually the wealthy heir of the Harmon fortune. Bella’s story is that of an ironic maturation, in which she only gets what she originally wanted when she realizes how little it actually means to her.
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By Charles Dickens