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Holland’s Gold Star medal represents the recurring threat of underlying violence. Before his death, Holland carries the Gold Star with him in the same bag that he carries the ears of the men he killed. Because the military awarded Holland the Gold Star for his bravery in the Korean War, his habit of carrying it alongside the ears shows his pride in the brutality of war. When Holland shows Will the Gold Star and the ears, Will remembers his time during World War II, when he fought alongside men so violent that he was glad that they were not on the opposing side. Before Holland’s murder, his Gold Star signifies the threat of his underlying violence. Although he promises Amy that he would never hurt her, the narrative makes it clear that he will never leave her and Billy in peace, and this leads Billy to kill Holland. After the murder, the Gold Star represents physical evidence of Amy and Billy’s secret, which they try to hide from everyone. When Isaac learns that the Gold Star that Mrs. Winchester gave him belongs to his biological father, he fears what this violent secret will do to his family. Rather than letting the murder separate him from his parents, however, Isaac decides to let the Gold Star and Holland’s remains wash away in the river in order to preserve the only family he knows.
Widow Glendower symbolizes the threat of exposed secrets. The people of Jocassee label the Widow as a “witch” because she uses alternative medicine practices, and she lives alone, isolated from the rest of the farming community. Although many characters, such as Amy’s father, chastise the other farmers for their superstitious beliefs about the Widow, they all secretly believe that there is something unusual about her. However, the people’s fundamental fear of the Widow lies not in her supposed supernatural powers, but in the many secrets that she holds. The Widow tells Amy that people come to her when they are desperate, which makes her the keeper of Jocassee’s secrets. Although the Widow does not intend to expose people, the local community fears her power over them. The Widow’s reputation for having supernatural qualities follows her even in death, because Bobby dumps her skeleton back into the reservoir to avoid having a “witch” buried with his family. As he gives in to his superstitious beliefs and lets the Widow sink into the lake, her secrets are erased with the last of her remains.
Jocassee Valley is a motif that represents loss. Will outlines the fact that the history of Jocassee exists in the land itself and laments the loss of all those memories when Carolina Power floods the valley. Jocassee is therefore emblematic of Eden. Just as the biblical Adam and Eve can never return to Eden, the people of Jocassee will never be able to return to their homes. Will fears that the farmers in Jocassee will have difficulty adapting to another home because of their Cultural Connections to the Land and the generations of people who lived here before them. After Carolina Power turns Jocassee into a lake, Will knows that the valley will only exist in the people’s memories. After Isaac’s generation dies, Jocassee Valley will effectively cease to exist. This thought elicits grief from the community as the reservoir reminds them that Carolina Power believes the local community to be expendable.
Rash uses recurring images of fire and water to juxtapose the concepts of purification and erasure. Although Will used to think of water as a cleansing property due to his baptism, he later equates water with drowning and eradication. Carolina Power’s decision to use water as a weapon against the people of Jocassee shows their disrespect for the farmers. Ironically, farmers depend upon water to survive, but in this situation, Carolina Power uses water as a weapon to obliterate the local community, erasing the locals’ lives as if they mean nothing. By contrast, Mrs. Winchester uses fire to cleanse and purify. Rather than leaving the only home she has ever known, Mrs. Winchester chooses to die before the wholesale destruction of Jocassee Valley. Mrs. Winchester uses the opposite of water to protest Carolina Power’s actions, committing herself to flames in a final cremation that symbolizes everything that the people of Jocassee have collectively lost.
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By Ron Rash