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45 pages 1 hour read

On the Edge of the Dark Sea of Darkness

Fiction | Novel | Middle Grade | Published in 2008

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Chapters 41-51Chapter Summaries & Analyses

Chapter 41 Summary: “A Rumble and a Screech”

Fangs capture Janner, Tink, and Podo as they try to leave the bookshop. Podo fights valiantly against the huge regiment of Fangs. General Khrak threatens to kill Nia. Once again, just when all hope seems lost, Peet arrives to save them. This time, he is riding a dog the size of a horse that looks just like Nugget. He distracts the Fangs while the Igibys make their way to a wagon and escape from town. Podo tells Leeli that the giant dog is in fact Nugget, though he does not say how he survived or why he is so big. Peet and Nugget eventually catch up with the carriage. Podo, Nia, and Peet talk as though they have the Jewels of Anniera with them, which confuses Janner. The Igibys decide to go to Anklejelly Manor to get weapons.

Chapter 42 Summary: “Good-bye, Iggyfings”

They reach the manor. Janner wonders if the weapons will be enough to defeat the Fangs. Podo insists that Janner trust him and do as he says. Peet promises to take care of Nugget for Leeli and to hold the Fangs off for as long as he can. Podo, Nia, and the children enter the manor just as the Fangs reach the gates of the property.

Chapter 43 Summary: “A Ghost in the Wind”

In the pitch darkness, Janner leads his family back to the cellar door. He hesitates to jump down because he is afraid of the ghost, but the Fangs are approaching. Podo assures Janner that the ghost is not real, and everyone descends into the cellar. A Fang appears in the doorway, spots them, and alerts General Khrak to their presence.

Chapter 44 Summary: “Following Podo”

Tink leads the way through the tunnel to the door, opens it, and shows everyone into the weapons room. Podo gathers up a shield and sword and prepares to fight the Fangs in the corridor. Janner takes a sword and a lantern and follows his grandfather. Tink stays behind to protect Nia and Leeli. Podo and Janner advance back up the tunnel, killing Fangs as they go until they reach the cellar again. Podo instructs Janner to use the lantern to set fire to a woodpile. In seconds, Janner sets a blaze that engulfs the whole room. A Fang stabs Podo in the belly, but he and Janner make it back to the weapons room and shut the door. Podo loses consciousness.

Chapter 45 Summary: “A Long Night”

Janner and Tink lean against the door. They can smell smoke. Fangs try to break down the door for hours, but as they are consumed by flames, the Igibys hear howling and “terrible mewling, gurgling sounds” (292). Exhausted, Janner and Tink fall asleep. When they wake, everything is quiet. Janner opens the door to reveal a hallway full of dead Fangs. He returns to the cellar to find that Anklejelly Manor has burned down. He meets Peet, who is delighted that the Igibys are safe. Janner leads Peet to the weapons room. Podo’s injury is severe, and he will soon die.

Chapter 46 Summary: “Water from the First Well”

Nia asks Peet how he healed Nugget and wonders if he can do the same for Podo. Peet reveals that he has “Water from the First Well” (298), which was a gift from the Maker to Dwayne and Gladys. He used this water to heal Nugget, but he used too much; that is why Nugget is so big. Peet goes to fetch the healing water. Janner does not want Podo to die; he is angry with the Maker for allowing such a thing to happen. He wonders why Nia and Podo care more about the mysterious Jewels of Anniera than about their safety. Peet returns with a small flask. He pours water on Podo’s wounds, healing him immediately.

Chapter 47 Summary: “Old Wounds”

The family leaves Anklejelly with a stash of weapons and prepares to go to the Ice Prairies. Janner asks about the Jewels of Anniera again, angry that Nia and Podo have kept so much from him. Nia promises to tell him and his siblings the truth that evening. She suggests they all go to Peet’s house, where they will be safe. Podo refuses, but Nia insists that he let go of his resentment: Peet just saved Podo’s life. Peet leads the way to his house.

Chapter 48 Summary: “Shelter”

The Igibys travel to Peet’s tree house. Glipwood is now abandoned. Janner’s head is full of unanswered questions. They reach Peet’s home; Peet offers them blankets and begins to cook them all a meal. As rain begins to pour outside, everyone falls asleep.

Chapter 49 Summary: “The Jewels of Anniera”

After they eat, Janner asks where the Jewels of Anniera are. Gnag has been searching for them ever since the Great War because he believes that they contain a secret power. Janner is frustrated that his mother and grandfather would endanger their lives for something that could lead Gnag straight to them. Nia reveals that she brought the Jewels from Anniera to Glipwood herself; she, Podo, and the children all fled Anniera during the Great War. The children are surprised to learn that they are not from Glipwood after all, but Anniera. Peet finally tells the children that they are the Jewels of Anniera. Their father was the last “High King of the Shining Isle” (315). 

Chapter 50 Summary: “The Throne Wardens”

Nia and Esben Wingfeather were once the king and queen of Anniera. Janner asks if that makes him the rightful heir to the throne. In fact, according to Annieran tradition, it is the second son who becomes king. The first son acts as the Throne Warden, the king’s protector. It is a sacred duty. Peet is actually Artham P. Wingfeather, Esben’s older brother, former Throne Warden, and uncle to the Igiby children. He refuses to say why he has talons instead of hands.

Nia explains that when the Fangs attacked Anniera, Janner was three, Tink was two, and Leeli was a newborn. Peet tried to help them escape while Esben died fighting. Podo’s wife died during the escape, which is why he resents Peet. A Fang also grabbed Leeli and injured her leg, resulting in her disability. Nia, Podo, and the children left Anniera on a boat and were swept up by a storm. They crossed the Dark Sea of Darkness in just five days and settled in Glipwood. Five years later, Peet arrived in town. Nia and Podo did not trust him, so they insisted that he leave the children alone.

Chapter 51 Summary: “A Letter from Home”

Before leaving Igiby Cottage, Podo collected a few things for the children. He gives Janner an ancient book that is passed down between Throne Wardens. Tink receives his father’s old sketchbook. Leeli receives an ancient silver whistleharp, a musical instrument. She learns that Queen Sisters all “learn to sing and make music” (325). Nia suggests that her songs might have significant power. Janner finds a letter from his father in the book. It tells him that both of his parents love him and that he and his siblings must protect Anniera. Though the world is dark and dangerous, Janner and his siblings, the Jewels of Anniera, now understand that they represent light and hope.

Chapters 41-51 Analysis

On the Edge of the Dark Sea of Darkness does not engage very explicitly or often with Christian doctrine, but it does emphasize Christian values and ideology. The children are expected to obey and respect their elders without breaking the rules or talking back. They are also expected to conform to rigid gender roles, which is particularly evident when they learn about their royal roles in the final chapters. The crown passes to a boy, and Janner must be able to protect his brother from threats, while Leeli’s role is connected to neither politics nor fighting: She is expected to become a musician. 

Janner, Tink, and Leeli are destined by birth to rule Anniera; in fact, doing so is their sacred duty. This is an idea known as the divine right of kings, which suggests that certain people are ordained by God to rule over others. Because of the religious Other connotations of the Fangs, the Igiby (or Wingfeather) children are meant to end what is essentially a holy war and restore Christian rule to Anniera. Anniera is a lost, semi-mythical kingdom that each faction wants to control. On a metanarrative level, it stands in for Jerusalem. The Chronicles of Narnia also suggests that the four protagonists must reign over Narnia because they have the divine right of kings. In another parallel, Lucy Pevensie has a vial of powerful medicine that can heal any wound, just like Peet’s Water from the First Well.

In this final section, Janner, Tink, and Leeli finally complete the arc regarding the theme The Discovery of Ancestral Legacy. They have never felt fully at home in Glipwood because they come from Anniera. They now understand who their father is and what their responsibilities are. Notably, Janner, at the age of three, has no memories of leaving his home and arriving in a new place, potentially stretching the bounds of plausibility, though this detail is necessary for Peterson’s narrative.

Although this book is only the first in a series, Janner has already come a long way in The Process of Self-Discovery and Coming of Age. He and Tink overcome their fear of the ghost so that they can get their family safely into the cellar at Anklejelly. Instead of resenting the fact that he must take care of his siblings, Janner now understands that he was born to protect them. The principle of selflessness and of being willing to serve others is significant in Christianity, as it is meant to echo Jesus’s behavior. In later books in this series, Janner’s role in the story will start to take on strong similarities to the story of Jesus.

The Struggle Between Good and Evil is far from over for the Igibys. Still, by the end of this book, the characters have a better idea of what they will have to do next if they are to defeat Gnag the Nameless. The climax of the book features the violent deaths of many Fangs. As before, there is no suggestion that the Fangs are people in a meaningful sense or that the characters should have any concerns about killing them en masse. The Fangs, for their part, are only interested in bloodshed and violence, never retreating or demonstrating self-preservation instincts. In these ways, they are very similar to Tolkien’s orcs and to other evil creatures in many fantasy stories. The lack of depth in the villainous characters is by no means unique to Peterson, and in this case, emphasizes the heroism of the young protagonists and the pure antagonism they face.

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