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46 pages • 1 hour read

Lives of Girls and Women

Fiction | Short Story Collection | Adult | Published in 1971

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Themes

The Relationship Between Mothers and Daughters

Content Warning: This section of the guide includes references to murder, death by suicide and suicidal ideation, and sexual abuse, including sexual interactions between an adult and a young teenager. The source text also includes outdated and offensive language surrounding race and mental health conditions that are reproduced only via quotations.

In Lives of Girls and Women, Ada and Del’s relationship illustrates how much the two women not only learn from each other but also how their relationship affects Del’s coming-of-age process. In “Princess Ida,” Del learns a lot about her mother’s past, but it comes from a point of contention due to her mother’s new job. Del claims, “I felt the weight of my mother’s eccentricities, of something absurd and embarrassing about her […] land on my own coward’s shoulders” (72). At a young age, Del’s embarrassment toward her mother’s job as a traveling salesperson derives from her mother’s decision to reject societal expectations of women. However, Del also claims to want “to shield” Ada away from the scrutiny of others, such as her aunts. By describing these conflicting emotions, Del illustrates a misunderstanding of Ada as well as her love for her mother. Ada seemingly makes these decisions to better their social status, which is not only a goal for herself but her children as well. However, Del is too young to understand her mother’s motives for moving them to Jubilee and away from her father, creating tension between mother and daughter.

As the stories progress, Del begins to understand who her mother is and how she can learn from her. For example, when Del talks to Jerry Storey’s mother about sex in “Baptizing,” she claims that her mother is “so firmly convinced that was sex was something no woman—no intelligent woman—would ever submit to unless she had to” (222). Although Del may not fully agree with Ada, she finds validity in this belief and begins to live her own life without conforming to societal expectations. Ada shows Del that she can go through life without being dependent on a man, even if her mother’s words specifically describe sex. When Ada first shares this view with Del in “Lives of Girls and Women,” she utilizes a reference to Tennyson to speak the same language as Del, who views the world in terms of literature. Del appreciates her mother’s attempt to connect with her—particularly after her final encounter with Art Chamberlain—and they establish a deeper relationship with each other as Del continues her development into adulthood.

Although Del and Ada do not always get along or agree on everything, such as Del’s initial religious journey, they ultimately understand each other and learn from the other as they navigate life during the 1940s, and Del’s way of seeing the world aligns more with Ada’s as time goes on. In a time of enforced gender norms, Ada and Del both rebel against those expectations, allowing them to connect and build a bond as Del discovers her own identity.

The Discovery of Identity Through Exploration

Throughout each story, Del investigates a new facet of life to discover more about herself. For example, she begins the book by exploring the immediate landscape around her, including the people and resources she has easy access to, like Uncle Benny’s newspapers. After reading his obscure newspaper in “The Flats Road,” Del claims she feels “bloated and giddy with revelations of evil, of its versatility and grand invention and horrific playfulness” (8). Early on, Del finds joy in learning about the world, so she will utilize anything she can get her hands on to do so. She revels in Uncle Benny’s newspapers because they expose her to new ideas and concepts she would not otherwise learn. This foreshadows her eventual interest in topics such as death as well as her love for the library.

Del’s developing identity derives from her interest in learning as much about life as she can. As she continues to develop her sense of self, Del begins a religious journey in “Age of Faith” by attending various churches in her community. She claims, however, “The question of whether God existed or not never came up in Church” (107). Since this is her sole purpose for attending, Del becomes frustrated at the lack of engagement with the concept of God and only discussing how to live according to the Bible. Part of Del’s identity, then, is rooted in the process of exploration and learning. She thrives in settings where she can engage with her curiosity and feels most comfortable when she explores the world around her.

Due to the coming-of-age nature of the text, Del also explores her sexuality through various relationships. In “Lives of Girls and Women,” Del not only explores sexuality through the predation of the much older Art Chamberlain, but she also explores her own body. When Ada directs her to go upstairs due to Fern and Art’s sexually oriented conversation, Del puts on Ada’s dressing gown and looks at herself in the mirror: “I pulled the material off my shoulder and bunched it over my breasts […] I had turned on the light beside the dressing table; it came meekly, warmly through a bracket of butterscotch glass, and laid a kind of glow on my skin” (168). Del begins to view herself as a sexual person rather than a young girl, indicating that she develops a more nuanced understanding of her own body. Munro’s decision to have her look in the mirror and manipulate the fabric on her skin illustrates that Del recognizes her bodily changes as she goes through puberty.

Overall, Del’s curious nature and ability to embrace her love of exploring and learning about the world propel her self-understanding as well as her views on death, sex, love, and other facts of life as she comes of age.

The Impact of Social Class and Poverty

Although Del does not spend her entire childhood in poverty, the book engages with the disparities between social classes that Del easily picks up due to her experience. Specifically, Del lives both on the Flats Road and in Jubilee, which allows for her to exist between the lower and middle economic classes, respectively.

In “The Flats Road,” she claims the road “was not part of town but it was not part of the country either” (9), which indicates that the occupants of the Flats Road almost exist outside of social classes. However, the description of the manicured flowers and trees in Jubilee juxtaposed with the wildflowers between the houses on the Flats Road implies that the community in the Flats Road does not care as much for appearances or material value as those in town. Munro’s description of the bootleggers, former sex workers, and fox farmers indicates that those living down Flats Road do not have the luxury of spending time manicuring their landscapes.

In “Heirs of the Living Body,” Munro takes her examination of class disparities a step further when Aunts Elspeth and Grace mock their neighbor at dinner. Despite living on a farm themselves, Elspeth and Grace take great pride in keeping up appearances and reflecting socially acceptable behaviors. When they mock their neighbor for picking up “whole cakes” and having icing “smeared on his moustache” (43), they imply that his lack of a certain set of table manners also indicates his lack of class. Del notes that her aunts’ pretentious behaviors derive from a sense of insecurity, specifically their belief that this man must think he is better than them. Their actions indicate prejudice against someone in a lower class.

As the book continues, Del begins to express concerns for her social status when Naomi befriends her coworkers. Having grown up in poverty and not caring for stereotypically girlish things like makeup, Del claims, “Well-groomed girls frightened me to death […] for fear I would be smelly” (196). Del’s concerns lie less in how she views them and more in how the other girls will perceive her. Due to her upbringing, Del does not view herself as holding the same status as these other girls. She goes on to say that she “felt there was a radical difference, between them and [Del], as if [they] were made of different substances” (196). Naomi, who wears a new outfit with perfect hair and freshly painted nails, appears drastically different than Del, who wonders if their upbringings cause them to be internally different as well.

Through the judgments, prejudices, and insecurities of those around her, Del learns that within the social structure of Jubilee and the Flats Road, people of different social classes are perceived differently than others. As she comes of age, she—like Ada—will find herself rebelling against social norms but unable to completely shake her concerns about how people perceive her due to growing up in poverty.

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