76 pages • 2 hours read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Momaday bookends House Made of Dawn with a scene in which Abel is running. While the author doesn’t clarify why at the beginning of the novel, Abel is taking part in the race of the dead, a traditional ceremony in which people from Jemez wake up at dawn and run across the vast, empty plains. Throughout the novel, Francisco recalls participating in this ceremony on several occasions. He remembers winning the race and the blissful feeling of breaking through his body’s pain barriers. To Francisco, the race has deep symbolic meaning. He has spent more time learning about the history and culture of his people than most of the novel’s characters, so he understands the ceremonial and spiritual significance of the race. To him, running in the race is a way to continue his people’s traditions and integrate himself into a wider cultural heritage that is in danger of being lost. The symbolism of the race transcends traditional meaning for Francisco; by taking part, he’s helping preserve his culture.
Francisco’s attempts to educate Abel about the race of the dead illustrate the challenge of preserving a culture that the now-dominant white population considers irrelevant and even offensive. The traditional ceremonies, beliefs, and stories of Francisco’s people have faded because of the centuries of war, discrimination, and marginalization endured by Indigenous American peoples at the hands of the European colonial settlers and the US government. With each generation, men like Francisco try to pass down their culture’s traditions and beliefs to their children and grandchildren. However, this process is interrupted by extraneous events. For example, Abel is drafted into the Army and fights in World War II. His experiences of war, coupled with his alienation as an Indigenous American, lead to depression and alcohol addiction. He can’t engage with the memories of the race of the dead that Francisco passed down to him because he has so many problems in his life. When Abel runs, he understands little of the tradition and culture behind the race of the dead. The difference in his and Francisco’s understanding of the race symbolizes how time and circumstance can erode traditional culture from one generation to the next. This tendency is particularly acute and tragic in the plight of Indigenous American traditions in the modern era because of the pressure by white culture to assimilate.
Despite the cultural erosion that the novel illustrates, Abel’s symbolic relationship with the race of the dead is a cause for optimism. When his grandfather dies, Abel performs the necessary rituals. He prepares his grandfather’s body in accordance with Francisco’s spiritual beliefs. Afterward, he feels alone and unsure of what to do. He finds himself outside and feels a sudden urge to run. Abel lacks Francisco’s cultural framework of understanding regarding the race, but he runs anyway. In this moment, the race of the dead becomes a symbolic tribute to his grandfather. Abel is engaging with traditions and beliefs that were important to Francisco, showing his willingness to preserve his grandfather’s legacy even if he lacks his grandfather’s understanding of the race’s cultural significance. For Abel, who has felt alienated from every part of society, the race symbolically displays his willingness to reintegrate.
The eagle is an important symbol in the folklore of many Indigenous American tribes and societies. In House Made of Dawn, the eagle’s recurring presence creates a direct link between traditional stories and modern stories. Like the old folk tales, the eagle is a significant part of House Made of Dawn, and Abel’s relationship to the bird of prey places him in the pantheon of Indigenous folklore. Similarly, the Indigenous foxes and bears—like eagles—represent a bond with the land that the imported European species lack. The novel contrasts Indigenous species like the eagle with imported species such as horses and cows, creating a direct symbolic parallel between the Indigenous people and species and the descendants of the European colonizers and their imported species. Like the eagle, Abel and his people represent a tradition and a history of understanding their world that can’t be replicated in a few hundred years. The eagle is a soaring, defiant symbol of how this bond can rise above oppression and marginalization to create enduring stories and symbols that continue into the modern era.
Organizations such as the Eagle Watchers Society are formalized efforts to preserve and maintain the historical symbolism of the eagle and other traditions. The Eagle Watchers Society is a relatively small group of community leaders who agree to take a young Abel on a hunt. They venture into the wilderness to find and capture an eagle, whose feathers will be used to make ornaments and objects of religious and cultural significance. Each step of the way, they perform rituals and observances that denote their respect for the land. When they finally catch an eagle, they continue these observances. The hunt symbolically demonstrates the desire to preserve cultural traditions. The relatively small group of men are performing a ceremony that has its roots in a time before European colonization. The Eagle Watchers Society and the hunt for an eagle isn’t as much about catching an eagle or obtaining the feathers as to continue traditions that have been important to their people for many centuries. The hunt shows their willingness to continue and preserve traditions, passing them on to the next generation despite the overwhelming, immiserating nature of social marginalization that Indigenous Americans endure.
Abel operates as an individual in the context of the eagle hunt. He’s the only successful member of the Eagle Watchers Society, as the only other bird caught isn’t deemed strong or healthy enough to provide the necessary materials. Abel catches the bird while performing the necessary rituals and observances. He does everything correctly, but when he later looks at the captured bird in the bag, he’s filled with a sudden sense of loathing. He strangles the bird unceremoniously, appalled by the sight of a majestic creature bound in a sack. The eagle has an important and individual symbolic meaning for Abel. To him, the bird represents the how his soul is captive rather than being allowed to soar; he empathizes with how the bird was tricked into trapping itself. Abel feels just as trapped in a society that deliberately casts him to the fringes. He strangles the bird in an act of self-loathing, performatively freeing the eagle from the depressing and embarrassing captivity that he believes defines his life. By strangling the eagle, Abel performs a symbolic act of mercy that he wishes someone would provide to him.
The symbolism of House Made of Dawn isn’t limited to life on the reservation. In the first image of Abel in Los Angeles, he wakes up on a beach, bloody and bruised from a vicious attack that nearly killed him. Abel’s time in Los Angeles is a disaster. His experiences of friendship and love through his relationships with Ben and Milly exist only in the context of deepening sadness and social alienation as he struggles to understand himself and his role in society. When he wakes up on the beach, he’s confronted with a symbol of his own unknowability. The sea represents a great and unknown force that is foreign to a man born and raised in New Mexico, a landlocked state. Abel peers into the sea as he nurses his wounds and reflects on his recent experiences. Much like staring into his own soul, he can’t comprehend the ocean’s complexity and depth; it defies understanding.
As a symbol, the sea provides an explicit point of contrast to the urban environment of Los Angeles. Life on the reservation is defined by the vast emptiness of the plain. Much like the plain, the sea is another vast expanse in which an individual like Abel could lose themselves. Not so the city. Los Angeles, to a young man raised on a reservation, feels cramped and chaotic. People huddle together in church basements to hear sweaty sermons. They gather in loud bars to mock and joke with one another. Cars rush past, and the police beat the very people they’re employed to protect. The world of Los Angeles is a muddled din, a deafening environment in which nothing is quite as it seems. This loud chaos contrasts with the vast, natural expanse of the sea. Abel sits on the beach with the city behind him and the sea in front of him, caught in a symbolic struggle between emptiness and chaos. There’s no in-between for Abel, no place where he feels safe and secure. These two contrasting environments both seem hostile to him, and—as evident in his bruised and broken body—he’s struggling to survive in a dangerous world. The symbolic contrast between the city and the sea epitomizes his struggle: He wants to find a place of his own but is caught between competing worlds, none of which he understands.
On a grander scale, the sea represents the impossible problem that Indigenous American cultures face. The Pacific Ocean is the absolute endpoint of the continental US. Indigenous tribes were driven out of their ancestral homelands and pushed onto reservations to the west as colonizing Europeans and Americans settled in the east. Gradually, citing doctrines such as manifest destiny, the colonizing forces pushed all the way to the ocean. They hit the hard barrier of the sea and then turned back, no longer able to settle themselves on the real estate they’d deliberately vacated. Sitting on the beach reminds Abel of the extent to which the colonizers took over the continent and left little for Indigenous people, driving them first to the ocean and then onto reservations under threat of violence. The bloodied, bruised Indigenous American man sits alone on the beach with nowhere else to go, a symbol of the plight of his people.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
Addiction
View Collection
American Literature
View Collection
Books on Justice & Injustice
View Collection
Colonialism & Postcolonialism
View Collection
Community
View Collection
Contemporary Books on Social Justice
View Collection
Equality
View Collection
Fate
View Collection
Good & Evil
View Collection
Indigenous People's Literature
View Collection
Memory
View Collection
Nation & Nationalism
View Collection
Order & Chaos
View Collection
Pulitzer Prize Fiction Awardees &...
View Collection
Valentine's Day Reads: The Theme of Love
View Collection
War
View Collection