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53 pages 1 hour read

Freedom

Fiction | Novel | Adult | Published in 2010

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Symbols & Motifs

Birds

Birds are the clearest symbol of freedom in the novel. The mobility and adaptability that flight allows birds gives them a level of freedom that the humans in the story lack. Walter loves birds. He is endlessly fascinated by their personalities, their lack of cruelty, and their independence. During the section on mountaintop removal, Walter tries to protect the habitat of the cerulean warblers, but only in novel’s final section is he able to act, which directly and immediately benefits the local birds. He tries to constrain the neighborhood cats by making bibs for them. He also tells Linda Hoffbauer that “this land belonged to the birds before it belonged to us” (543). When he visits Jessica, he says that birds are “the only thing that's still lovely to me” (553). Despite their freedom, birds still require protection from external forces of which they are unaware. When Walter and Patty donate their home and make it an aviary sanctuary, it is clear that the birds require captivity in order to survive their freedom.

It is also significant that the Cerulean warblers migrate. The characters in Freedom all suffer from various forms of restlessness. Their instincts periodically steer them towards motivations that they do not consciously understand at all times, similar to the ways in which a Cerulean warbler knows when it is time to migrate. The birds are also a poignant reminder that Lalitha accepts Walter as he is. She does not share his enthusiasms for birds but finds it endearing. Patty eventually comes to view Walter's relationship with birds the same way. They are a reminder of many of the qualities that people love in Walter.

Cats

Cats are predators and the natural antagonists to birds. They symbolize the constant danger that animals face in their natural habitats. The symbolism of the cats as predators extends to Richard, whose last name is Katz. Richard is also a predator who believes that he only acts according to his nature, no different than a cat who pounces on a bird out of instinct. In Part 4, Linda tells Walter, “Cats kill birds [...]. It's what they do. It's just part of nature” (542). She describes the nature of cats the same way that Richard describes his own actions.

Walter is not simply protective of the birds. He has put some real thought into his distaste for cats: “He'd never seen anything in a cat's face but simpering incuriosity and self-interest; you only had to tease one with a mouse-toy to see where it's true heart lay [...] cats were all about using people” (550). In this way, cats also mirror Richard's proclivities when he is at his worst.

The Fiend of Athens

The Fiend of Athens is the movie that Walter takes Patty to see on their first date. The plot of the movie involves a mild-mannered man who is mistaken for the leader of an extremist group. People recognize him in the street after seeing a photo of the terrorist on the front page of the newspaper. He only finds safety when the criminals whom he supposedly leads appear and rescue him. Unable to escape the public’s perception of him, he eventually adopts the persona of the extremist. However, the criminals eventually realize that he is not their leader and kill him. The Fiend of Athens shares parallels with Walter's trajectory. Patty wants him to be more like a rebellious madman, which is how she often thinks of Richard. At the very least, she would love for him to be more assertive and bolder.

Over the course of the novel, Walter's character changes. Initially, he is a kind, gentle man whose nature slowly changes as his anger mounts and his cynicism grows. In the chapter “The Fiend of Washington,” he becomes the hero of a group of activists. His fiery speech leads to a riot which leaves him beaten but alive. When Patty sees the version of Walter that is changed by anger, she is impressed and wonders if she were the one who kept his internal, impressive fury restrained, to her own detriment. The Fiend of Athens symbolizes the beginning of the Berglunds’ relationship. It is a memento of their courtship. Its ending is also a sobering reminder that Walter's anger can lead to something productive, not his death.

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