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64 pages 2 hours read

Far From The Madding Crowd

Fiction | Novel | Adult | Published in 1874

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Chapters 41-49Chapter Summaries & Analyses

Chapter 41 Summary: “Suspicion—Fanny Is Sent For”

That Sunday, following church services and the day before the next races, Troy asks Bathsheba for twenty pounds. She presumes it is for the races; Troy does not reply, allowing her to believe that, given that the alternative would be worse for him. However, when she chastises him, he owns that the money is not for the races, though he still will not tell her what the money is for.

Troy begins to chastise her for being too strict and threatens her against doing something she will regret; she replies, however, that she already regrets their marriage, as she hates his faults. Nevertheless, she relinquishes the money.

He tells her that he will be off before she wakes the next morning. Absentmindedly, he opens the back of his watch, and Bathsheba spots a lock of hair he keeps there. Troy tries lying that it is hers, but it is blonde, so Bathsheba knows he is lying. She tries to convince him to burn the lock of hair, but he won’t; she eventually gets him to admit that the lock belonged to the woman they passed on the road the day before. Troy admonishes her for being desperate and leaves the room.

The next morning, Bathsheba wakes up earlier than usual and has the horse saddled for her ride; when she comes in for breakfast, she learns that Troy has already left.

As she goes about her duties that day, she sees Boldwood and Gabriel talking up the road; Joseph Poorgrass passes them, speaking with them for a moment, then continues on toward Bathsheba. When he gets to her, she asks him for the news and discovers that Fanny has died at the Union. She learns that Boldwood intends to send a wagon for her body, but she insists on sending the wagon herself, given that Fanny was a servant in her own household.

She and Joseph continue to talk, and through this Bathsheba discovers that Fanny had been at the Union only a day or two and was believed to have traveled there from Melchester. This sparks a realization in Bathsheba, who asks if Fanny had walked along the turnpike, and when she had passed Weatherbury; it had been Saturday night. She asks Joseph what color Fanny’s hair was, but Joseph is beginning to get agitated, and answers that he does not know.

When she sees Liddy, Bathsheba asks about the color of Fanny’s hair, which Liddy can only remember as light-colored golden hair. She also asks her about her boyfriend; Liddy replies that he was in the same regiment as Troy, and that Troy told her once that “he knew the young man as well as he knew himself, and that there wasn’t a man in the regiment he liked better” (335). 

Chapter 42 Summary: “Joseph and His Burden—Buck’s Head”

Joseph Poorgrass collects the coffin from Casterbridge Union and begins his journey back. On the way back, he takes a short break to stop at the Buck’s Head Inn for a drink, where he encounters Coggan and Mark Clark. He has his drink, then says he is going to head on; however, the others remind him that Fanny is dead and, thus, in no hurry, so he might as well have another drink with them.

This continues on for some time, and the “longer Joseph Poorgrass remained, the less his spirit was troubled by the duties which devolved upon him this afternoon” (343). At six, Gabriel arrives and chastises Coggan, Joseph, and the others. Seeing that none of them were in a state to drive the wagon, Gabriel leaves and returns the wagon and coffin himself.

Fortunately, Gabriel thinks, only he and Boldwood ever came to know that Fanny had left to follow Troy, and his hope is that the truth won’t come out until after she has been buried. By the time he reaches Bathsheba’s, it is too late for a funeral; the parson tells him the funeral will have to be the next day, and he can either leave the body at the farm or bring it to the church. Gabriel prefers to take it to the church, but Bathsheba wishes to bring the coffin into the house for the evening. Gabriel gets some help to bring the coffin inside the house as requested, but before he leaves, he erases the chalk marking the coffin as containing “Fanny Robin and child” (348). 

Chapter 43 Summary: “Fanny’s Revenge”

Bathsheba is sitting up alone by the fire, having just dismissed Liddy, when Liddy returns to ask about a rumor she heard regarding Fanny, that Fanny’s coffin contains both her and her child. Bathsheba is shocked, particularly as only one name is on the coffin. However, she cannot get the rumor out of her mind given what she learned about her husband’s past.

Bathsheba walks to Gabriel’s cottage, hoping to speak with him as a friend, but is unable to knock once there. She instead wanders back to the house and decides that she must open the coffin to discover the truth. Upon opening it, she discovers both Fanny and Fanny’s deceased child.

She passes through various feelings of anger, jealousy, and distress. She is still with the coffin when Troy returns, unaware of what has happened. When he looks upon Fanny’s corpse, though, his demeanor drops. He drops to his knees, leans over, and gently kisses Fanny.

Unable to contain herself, Bathsheba launches herself at Troy, begging him not to kiss them but to kiss her instead. Troy refuses, though, telling her, “This woman is more to me, dead as she is, then ever you were, or are, or can be” (360). Bathsheba asks what she is to Troy then; Troy replies that she is nothing to him.

Chapter 44 Summary: “Under a Tree—Reaction”

Bathsheba spends the night walking around Weatherbury, eventually settling near a swamp. Liddy finds her, telling her that she had heard Troy’s voice late at night and worried that something bad had happened to her as a result. Liddy tries to get her to come inside, but she tells her that she may never go back inside again; Liddy responds by fetching her some food and tea, as well as a bit more clothing for warmth.

Once Fanny’s body has been taken away, Bathsheba consents to returning to the house. She has Liddy and Maryann convert the attic into a small apartment and locks herself away in it for the remainder of the day, alternating between reading and looking out the window. At one point, she observes children suddenly stop their game and asks Liddy why they might have stopped; Liddy replies that someone has arrived from Casterbridge with a large gravestone, but she doesn’t know whose it is. 

Chapter 45 Summary: “Troy’s Romanticism”

Troy, that Monday morning, had collected as much money as he could, added it to the money Bathsheba had given him, then driven to Casterbridge to meet Fanny; however, unbeknownst to him, she had already passed away nearby. Believing she had stood him up yet again, rather than checking the Union, he angrily left for the Budmouth races. He began to reconsider throughout the day but arrived at home to find her body in the coffin.

The next morning, he arises at dawn, finds Fanny’s grave plot, and departs for Casterbridge. Once there, he finds a mason and has a special gravestone engraved for her, ordering it to be completed that day and sent to Weatherbury. At ten that night, Troy takes a basket of various kinds of flowers and begins planting them all around the grave. When it begins raining around midnight, he decides to leave the rest for the morning and falls asleep on a nearby porch. 

Chapter 46 Summary: “The Gurgoyle: Its Doings”

As Troy sleeps, the rain begins to flow with force through the church gargoyle, and the stream reaches directly into Fanny’s grave. The rising water undoes all of Troy’s work. Troy rises in the morning to find the flowers he planted the previous evening strewn about the cemetery, dismaying him greatly. Troy gives up his efforts, leaves the grave, and takes the high road out of town.

Although Bathsheba, still in the attic, had observed the light from Troy’s lantern the night before, she had not known that it was him. She and Liddy breakfast together; Bathsheba inquires about Troy and is told that he is on his way to Budmouth, as Laban Tall had seen him on that road earlier that day.

Relieved, Bathsheba goes to Fanny’s grave, finding Gabriel already there, along with the gravestone commissioned by Troy, reading “Erected by Francis Troy / In Beloved Memory of Fanny Robin” (384). Gabriel turns to gauge Bathsheba’s reaction, but she merely asks him to fill in the hole. As he does, she collects the flowers strewn about and replants them; she also asks Gabriel to have the gurgoyle’s spout turned to avoid a repeat of the accident, cleans the stone, and departs. 

Chapter 47 Summary: “Adventures by the Shore”

Troy continues south toward Budmouth for a time, before stopping to bathe in a cove. However, an undercurrent sweeps him out to sea. Though swept far from the cove, he is rescued by a ship’s boat. They lend him clothes and agree to land him in the morning.

Chapter 48 Summary: “Doubts Arise—Doubts Linger”

Bathsheba takes the lengthening disappearance of Troy “with a slight feeling of surprise, and a slight feeling of relief; yet neither sensation rose at any time far above the level commonly designated as indifference” (391). She presumed that he would be home again at one point, and along with that, that they would eventually lose the farm as a result. She “accepted her position, and waited coldly for the end” (392).

The Saturday after Troy’s departure, while in Casterbridge at the market, Bathsheba is informed that Troy has drowned. Bathsheba faints in disbelief. Boldwood, nearby, lifts her up and cares for her. Once she is well, she drives herself home.

She is greeted by Liddy, who has already heard the news and is preparing to dress her for mourning. However, Bathsheba denies that Troy is dead, arguing only that things should be different if he is truly dead. She remains convinced until the next week, when she is forced to confront both an eyewitness report of Troy being swept out to sea, and the fact that his clothes found on the shore suggests that his disappearance was unintended.

Bathsheba wonders briefly if Troy’s love for Fanny had pushed him to attempt suicide. Later, she comes back upon the lock of hair that had caused their earlier fight; she briefly considers burning it, then decides against it.

Chapter 49 Summary: “Oak’s Advancement—A Great Hope”

Bathsheba continues to operate the farm but is consumed by a general depression otherwise. As a result, Gabriel is finally installed, officially, as bailiff.

Most of Boldwood’s produce was discarded due to the heavy storm. He becomes the talk of the town, and it becomes known that Boldwood had been warned on numerous occasions of the impending storm, yet he simply didn’t care to do anything about it.

Boldwood finally snaps out of his stupor; realizing he needs help, he proposes to Gabriel that he take superintendence of both his and Bathsheba’s farms. Bathsheba initially objects, but Boldwood promises to provide Oak with his own horse to facilitate his labor, and the two eventually reach an agreement. So, Gabriel spends his days surveying the two farms, “the actual mistress of the one-half and the master of the other, sitting in their respective homes in gloomy and sad seclusion” (398).

Gabriel’s position, and thus the town’s view of him, begins to shift. He becomes a shareholder in Boldwood’s farm; between this and his substantial increase in wages from Bathsheba, he is much better off than he once was. However, he is considered a “near man”—rather than using his increased income to improve his lifestyle, he continues to live essentially the same spartan life as before.

Boldwood begins to wonder if Bathsheba will be willing to marry again in the future and presumes that if she will, it must be to him. At the next haymaking season, Boldwood uses the opportunity to seek out Liddy, who is assisting in the fields, to see what Bathsheba’s ideas are about remarrying. Liddy gets frustrated with his roundabout line of questioning but lets loose that Bathsheba once mentioned that she might remarry seven years from Troy’s disappearance. 

Chapters 41-49 Analysis

Time’s relativity in a country sense is on display at the Buck’s Head Inn. Although very little happens in the scene itself, it works to illustrate a slow way of thinking and a fatalistic approach to obligations and duties. There is something darkly comical about Joseph Poorgrass sitting in the Buck’s Head Inn, drinking away, while Fanny’s body lies in the coffin outside. Yet, simultaneously, their logic is not entirely incorrect, and from Joseph’s perspective, other than that they knew Fanny, there isn’t anything particularly special about her—she is to be buried in the paupers’ section of the graveyard, and for all Joseph knows, the only reason she’s being brought back is because she was technically a member of that parish. There’s something quaint about Joseph’s decision to spend his time with the living still rather than rushing back with the dead—it might not be the right decision, or the normal decision, but it demonstrates an alternative way of looking at the world and one’s place in it, in particular a way of thinking about it that would run counter to traditional Victorian morality.

Chapter 43 removes any sympathies we have for Troy, and from one perspective, could be seen as the climax of the novel in that Bathsheba learns definitively that the person to whom she has chosen to hitch herself does not love her back and further proclaims his devotion to Fanny to be far superior. The reader will recall that because of a small mistake, Troy called off his wedding to Fanny, an act that ultimately left her destitute, leading to her death in a poorhouse, so for him to claim that she means more to him than Bathsheba does says quite a lot for how he feels about Bathsheba. Also, if the novel is seen as an examination of the conflict between passion and calm, this is a devastating mark against passion—Bathsheba fell for Troy in part because he made her feel alive and beautiful in a way that neither Gabriel nor Boldwood could, and her act of marriage was an act of passion (or, more accurately, jealousy). The end result of her acting out of passion, though, is to find herself belonging to a man who does not love her and is using her for money. From this point forward, Troy will cease any pretenses of being a good—or even moderately selfless—person.

It's intriguing that the planting of flowers around Fanny’s grave becomes a collaborative event. Troy’s act could be seen as one of love, or alternatively as one of possession, or even as a vengeful act against Bathsheba—even Gabriel tried to prevent the news from becoming known too soon, whereas Troy went ahead to ensure it is public and permanent. Weather plays a recurrent role throughout the novel, and here again a freak storm upends the plot. Even more interesting is that the storm is only able to do so because of a clash of history with the contemporary: the gargoyles have been a presence in the town and on the church for centuries, but while they once served an important purpose, they are now largely useless, leaving only one still working; further, the reason no one realized they would flood the grave was because the change in the landscape made the effects more disastrous. This leads to a poignant moment in which Troy, seeing the damage, chooses to simply give up and walk away; on the other hand, Bathsheba takes it upon herself to replant the flowers strewn about the graveyard, mirroring the emotional labor she was already being asked to absorb in the situation.

Following Troy’s disappearance, Gabriel’s position in the town rises dramatically. The two farmers in the town are unable to do anything but wallow in their own sadness. As we see, though, Gabriel’s “promotion” by Bathsheba really just brings his title and pay in line with the work he’s already doing for her. This is underscored further by the humorous “negotiation” that takes place between Bathsheba and Boldwood over Gabriel’s position: both farmers need Gabriel because neither wants to actually do the work of farming anymore, but they can’t be bothered to do the work of negotiating for him, leading to an absurdist situation in which Gabriel must act as middleman, largely doing the work of negotiation in a negotiation between two farmers who want him to do all the rest of their work, as well.

Of course, even as Gabriel’s position rises, his morality remains in place—he might have nicer boots, but everything else remains the same, suggesting to some extent that what is good is the work itself; the life one is able to lead is meant to be irrelevant. As with the rest of the novel, though, it would be a mistake to assume that Hardy is necessarily endorsing this stance so much as reflecting it. 

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