39 pages • 1 hour read
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One of the things Emmy struggles most with throughout the novel is feeling at home in her hometown after she has upended her life in Denver. The idea of home is evoked in the novel’s first sentence when Teddy threatens Emmy by saying, “Clementine Ryder, I swear to god, if you’re going to mope all night, I’m taking you back home” (10). Ironically, at this point in the novel, Emmy does not feel as if she has a home. Emmy never felt like she belonged in Meadowlark, even though she and her family were beloved by the community. She took the first chance she got to leave when she went to college, afraid that if she stayed, she would be stuck there. Emmy keeps all of these feelings with her until she returns to Meadowlark at the most tumultuous time of her life. Yet when everything around her is changing, Meadowlark feels “predictable” and “comfortable.” Because of this, Emmy is surprised when she feels at home upon returning, saying, “I thought I would feel trapped, like I did years ago. But I didn’t. I felt blissfully normal” (13).
Meadowlark continues to surprise Emmy as she feels more and more at home there, symbolized by her venturing out from the ranch more often as the novel progresses. By the novel’s end, Emmy still fears that staying in Meadowlark might hold her back when she asks her father if her mother regrets staying in town. However, at this point, Emmy’s feelings about her hometown have changed, and she realizes, “Maybe I just needed to leave for a while to realize this place was special, that I was proud to be from here” (202). Emmy is saddened by the prospect of leaving the ranch, which feels more like home to her now than it ever had, as she has finally found herself. Yet Emmy also learns that home doesn’t have to be a place once she begins her relationship with Luke. In the final sentence of the last chapter, Emmy refers to Luke as “home sweet home” (247), showing how he is everything she was looking for. In a more literal sense, the Epilogue ends with Luke giving Emmy keys to his house and their making plans to move in together. In every sense, Emmy has achieved her goal of finding a place to call home. As Emmy discovers herself, she simultaneously discovers that she feels most at home in Meadowlark and around the people who made her who she is.
The ideas of second chances and starting over are central to Done and Dusted and are in part symbolized by Emmy’s journey to get back on the horse—both literally and figuratively. Returning to Meadowlark, Emmy must start over again in various ways. She must come to terms with her hometown beginning to feel like home again, while also dealing with the aftermath of leaving her life and career in Denver. Yet the thing that troubles Emmy the most is the way she panics around horses ever since her accident and the fact that she has been unable to ride one in months. When Luke discovers what happened to Emmy in Denver, he tells her, “The saying ‘get back on the horse’ doesn’t work if it’s giving you panic attacks” (73), emphasizing how far she will have to come in order to return to her passion of riding. Luke’s riding lessons eventually allow Emmy to slowly get back to riding, yet they also instill in her the idea that it is okay to start over and begin again.
As Emmy learns to ride again, she also starts to separate her passion for horses from her career in barrel racing, seeing how she had pushed herself too hard with the latter. Though she can’t begin riding again with a completely clean slate, Emmy has a new outlook on how she engages with her passion for riding once she starts working with Luke. With a new perspective, Emmy eventually sees that teaching riding aligns much more with her wants and goals than racing does. Similarly, Emmy gives Luke a second chance and gets to know him again, seeing what he is truly like for the first time in her life, adding a figurative meaning to getting back on the horse that references an openness to reconsidering Luke as a person and to the feelings he evokes in her. She says she finds it strange how “[she’d] known him nearly [her] entire life, but [she] didn’t actually know him” (77), showing how Emmy had to give Luke a second chance to understand him. Similarly, Luke feels this way about Emmy as he gives their friendship a second chance, even giving himself a second chance when he says things like he didn’t feel like “Brooks, the Meadowlark screw-up” (105) when he is with Emmy. Just as Emmy starts over her life and career once she finds the courage to get back on the horse, both Luke and Emmy recognize they need to start over and try again with their relationship.
Both Emmy and Luke are known for their reputations around Meadowlark: “Brooks, the Meadowlark screw-up, and Emmy, the Meadowlark sweetheart” (105). Both characters are also troubled by their past perceptions: Emmy because she has left the life she has always known and does not know what to do next, and Luke because he wants to prove to himself he is more than what his family thinks of him. At the beginning of Done and Dusted, Emmy and Luke let their pasts define them and their actions. This is, in part, what has kept Emmy from Meadowlark for so long and why she fears her friends and family will turn on her once they learn that she has quit racing. Luke notes how he would often see “in the paper that she’d won another title” (21) and says what Emmy fears most when he suggests, “It was almost like Meadowlark was a low ceiling, and when she left, she could grow past its barrier. So why the hell was she back here?” (48). While Emmy has a lot to lose with her reputation, Luke has a lot to gain, and he puts great effort into proving himself once he becomes the owner of The Devil’s Boot. Just as Luke is surprised at Emmy’s return, Emmy is surprised by Luke’s growth and how much he has changed since she left Meadowlark. However, Luke himself finds it hard to see past what his family has always thought of him, believing himself to be a worthless screw-up because of his past. His feelings about his past materialize when he returns home and his stepbrother insults him, as well as when his best friend berates him for feeling worthy enough to date his sister.
As the novel progresses, Emmy and Luke begin to recognize that their past does not define them as they both take second chances at life. When she separates herself from her career as a barrel racer, Emmy learns that she had pushed herself too far to maintain her reputation, recognizing that “it was hard to feel good enough when you never celebrated what you’d achieved” (202). Luke also learns that his past can’t define him when he and Emmy visit his childhood home and Emmy stands up for him when he is unable to stand up for himself. As the two grow closer, their love for one another helps build each other’s sense of self-worth and they begin to define themselves by who they want to be rather than who they once were. Significantly, this all happens because Emmy and Luke do not let their past with one another define their relationship. Though they are troubled by their past antagonism in the beginning, Luke and Emmy learn that their first impressions of one another were wrong and should be left in the past.
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