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Content Warning: This section of the guide includes discussions of violence.
Holi begins. The festival of colors starts with people in white, but by the end of the day, everyone’s coated in different colored powders. Anjali, feeling despondent, doesn’t join in this year’s festival. She isn’t sure how to integrate her school since it’s been destroyed and she fears for her friends’ lives after the attack on Mohan.
Her father feeds stray animals in the garden, and Anjali thinks about how she still hasn’t seen a peacock. Chachaji comes over, complaining about the noise from the festival. He adds that they need to find Anjali a husband. Infuriated, she leaves and goes to the basti. Paro is excited to see her. Another child says that they don’t know where Mohan went. Anjali apologizes, and Paro gives her a small methi plant for Holi. Anjali holds it tightly.
She then hears her teacher’s voice and is surprised that he’s in the basti. He says that the police aren’t concerned about him anymore, and he’s back in charge of the school. Anjali suggests having class under the peepal tree the next day with everyone. Since it’d be outside, no one would be sitting in the back.
Anjali arrives home excitedly and shows Jamuna the methi plant, hoping that she can use some of it to make paratha. Chachaji says that he won’t eat anything that comes from the plant, and Baba chastises him. Chachaji warns that Anjali will end up in jail like her mother.
They check on Nandini, and the cow looks ill. Anjali goes to get Irfaan, knowing that his family can help. She arrives at his home, and when she says that Nandini is in danger, Irfaan immediately tells his father they must go with her.
Farhan emerges from the shed and says that he needs methi. Chachaji runs off and returns with the plant that Paro gave Anjali, surprising her. She bows respectfully to him.
Irfaan and Anjali go sit on the porch, and he says that he heard about her mother. They talk about Holi, and then, suddenly, he throws dirt at her like it’s powder from the festival. She responds in kind, and they play-fight.
Baba calls Anjali from inside the house and sends her and Irfaan into the shed, where they find Nandini and a baby calf. Anjali names the calf Ahimsa.
Nandini recovers, and the calf Ahimsa is already stronger in the morning. The previous night, Anjali and Baba went around to deliver the news about school, and many parents thanked her for the news but said that they wouldn’t be sending their children. However, the children from the basti would join her at school today.
When she arrives under the peepal tree, only the children from the basti and Irfaan are there with Masterji. Anjali feels like this isn’t a permanent change and it isn’t helping change anyone else’s mind.
The vegetable vendor comes by to chastise Masterji, claiming that the Dalits are deterring his customers, and Anjali tells him that the riots scared them away. Paro looks afraid, and Anjali feels hopeless.
Just then, Suman appears, along with other children. Suman says she wants to learn. Anjali begins to feel like maybe things are really changing.
At home that night, Anjali sees hundreds of people dressed in white. She thinks it’s a protest, but Irfaan tells her that it’s a funeral. She soon learns that Keshavji is dead. Baba appears, and Anjali tells him the news, though he already knows. The police claim that Keshavji tried to escape, but some people think it was just an excuse so that he couldn’t turn people against the British anymore.
They join the funeral procession, which goes to the Khadi Shop, where several Indian policemen stand in front of the building with rifles. Captain Brent is there and says that the story is being closed immediately because it incites violence. People begin to rush at the police, and Anjali, Irfaan, and Baba are caught up in the chaos. Baba tries to protect her and Irfaan, but Anjali hears the violence around her. She’s surprised to find those who had listened to Keshavji talk about nonviolence attacking the police. She sees a man who has been shot, and then, suddenly, the building is on fire.
The fire causes people to turn on Captain Brent, and Anjali knows that someone will kill the British officer. She gets away from her father and, standing over Captain Brent, who is injured, she shouts, “Ahimsa!” She’s hit by something that someone has thrown and falls, but she repeats herself. Then, another voice echoes, “Ahimsa!” It’s Irfaan. They keep yelling together, and then the crowd grows quiet, backing away. Many ask forgiveness. Baba helps Captain Brent up, and the man looks at Anjali with respect. However, she stares as the Khadi Shop burns.
At home, Jamuna is tending to Anjali’s scrapes when Captain Brent arrives. He delivers a pardon for Ma.
The next morning, Anjali begins painting a new sign for her school, and Paro writes the letters on it. Baba arrives, and they go to the prison. Ma looks ill, but Anjali’s news about the school excites her. As they leave the prison, Anjali spots a peacock feather. She steps over it, thinking that she doesn’t need any omens: “Freedom was in the air” (289).
The novel’s last section resolves many of the themes, but it also underscores how the struggle for freedom continued and that it came with a cost. Highlighting the theme of Internal and External Conflicts of Religion and Nation, Anjali and Irfaan mend their friendship, significantly during Holi, as Anjali remembers “rac[ing] through the streets with her pichkari, Irfaan by her side” (247). Their respective religious festivals are full of traditions for both of them, and these memories remind her of an easier time, one that Irfaan refers back to when they reconcile. Ultimately, his decision to help her and Nandini reflects a willingness to put small differences aside for the greater good. This willingness symbolizes the need for Muslims and Hindus to come together for a greater cause: India itself. After uniting peacefully, Anjali and Irfaan work together, and it’s especially appropriate that Anjali names the calf Ahimsa. While the riots between Hindus and Muslims continue, the friends’ reconciliation illustrates the possibilities that can come when Hindus and Muslims work together.
For the novel to end with Anjali standing up and calling for ahimsa, it’s critical that she repair her relationship with Irfaan. She needs his support and friendship, and he’s the first to stand and yell “Ahimsa!” after she does. Friendship is very important to Anjali, and Irfaan has been beside her for much of the novel, attempting to challenge the system alongside she and her mother. Additionally, Keshavji’s funeral signifies a rebirth of his spirit through Anjali. She considered him such a major figure in the freedom movement that her decision to stand up and put her life at risk shows how others must carry on his work. Anjali does so in that moment and as she works to integrate the school. As a result, the funeral procession is the novel’s climax, the scene in which tension is the highest. Anjali could lose her life, and she does have several bumps and scratches afterward, but she knows that “[w]e have do to this nonviolently!” (280). Even though she actively worked against Captain Brent’s authority over her village, she realizes that killing him won’t help India, so she inserts herself to remind those around her that nonviolence is the way forward. Indeed, her plea works both to help free her mother from prison and to return people to peaceful behavior after they’re caught up in the violence. Many fold “their hands in namaste, asking Captain Brent for forgiveness” (281). While the freedom movement doesn’t experience total victory at the novel’s end, it makes progress after Anjali reminds people of the importance of ahimsa and inspires integration of different castes at her school.
Having Dalit children “in a class with kids from every other caste, sitting side by side as equals” (270) was Anjali’s big goal. Despite every hardship, from the riots to the classroom’s being destroyed, Anjali manages to achieve success, and her efforts pay off unexpectedly. Suman’s appearance along with her other classmates shows how they noticed Anjali’s work even if they never said anything or were critical of it. They, like Anjali, come to see the injustice behind it and ultimately support her. Since Suman has been one of Anjali’s staunchest critics, her presence in class is especially meaningful and speaks to the larger effects that the freedom movement can have. The novel concludes hopefully. Ma is free from prison. Anjali has grown immensely over the course of the story, from being resistant to joining the freedom movement to becoming a leader in it in her own right. She has overcome many of her superstitions, including around both Dalits and peacock feathers, stepping over a feather as they leave the prison and thinking, “She didn’t need any superstitions to make her feel better today. Freedom was in the air” (289).
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