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51 pages 1 hour read

A Paradise Built in Hell: The Extraordinary Communities That Arise in Disaster

Nonfiction | Book | Adult | Published in 2009

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Part 2Chapter Summaries & Analyses

Part 2: “Halifax to Hollywood: The Great Debate”

Chapter 6 Summary: “A Tale of Two Princes: The Halifax Explosion and After”

The chapter opens with a description of the massive explosion caused by the collision of two ships, one filled with explosives bound for Europe, in 1917 in the Halifax harbor. The explosion sent “white hot shrapnel” raining down on and around Halifax and caused major damage to Halifax’s buildings and the surrounding towns (112). Afterwards, citizens rescued those who were trapped, tended to the injured, and brought supplies into the area. Halifax’s “rigid” class structure was “briefly integrated,” with wealthier citizens housing poorer families in their homes.

Samuel Prince, a Halifax resident and member of the Anglican clergy, wrote his PhD dissertation about the explosion. Solnit describes the dissertation, which became the founding text of disaster studies, as an “odd mix of stilted Victorian language, unexamined conventional ideas, and acute observations” (120). It argued that disasters initiate and accelerate social change, just as a personal crisis can change a person’s life. After the explosion, for example, improvements were made to public health, education, and housing, and an overall sense of unity was felt by the populace. Prince’s observations are deeply theological in nature; he writes of the event as “both a death and a resurrection” (122). In his writing, Prince discusses citizens in mixed terms—sometimes he commends their bravery, and other times he plays into stereotypes about pillaging and savagery, arguing that disaster incites people’s “primitive instincts” (123).

Solnit then introduces Gustave Le Bon, whose influential book The Crowd describes how people become “automatons” in crowds, swept away by the collective energy and turned into “barbarians.” He believed that the duty of authority was to subdue “an essentially savage humanity” (125).

We then meet writer Peter Kropotkin, a Russian aristocrat who renounced his title and explored Siberia before being exiled to England for several years. His anarchist writings explore the natural human propensity for collaboration. Both Kropotkin and Prince write about mutual aid, in which “every participant is both giver and recipient in acts of care that bind them together, as distinct from the one-way street of charity” (130). Mutual aid is nonhierarchical, while charity “reaches down from above” and can instill or heighten power differentials between the needy and the givers (130).

Kropotkin argues that mutual aid is a significant evolutionary mechanism, countering the prevalent dogma of social Darwinism that classified human behavior as oriented toward personal survival. Social Darwinism blamed people for their place in society, claiming that the best always end up on top due to their innate superiority. In this same vein, Thomas Hobbes theorized the notion of the social contract, whereby people submit to authority to protect themselves from harm, giving up their “natural” desires to harm others for their own gain. Solnit notes that Hobbes’s theory works only for “unaffiliated men” who have no social or familial bonds. Hobbes’s world is a purely economic one in which people “venture out to do economic battle with each other” but are not bonded in other meaningful ways (138).

Antithetically to Hobbes, Thomas Paine argued that people are naturally social and could function cooperatively without the intervention of government. He believed that governments repress the power of civil society. Relatedly, radical economists J. K. Gibson-Graham argue that though most countries are portrayed as capitalist, this capitalism is the “tip of the iceberg” of a larger network of cooperation-based practices by families, neighbors, friends, unions, and communities (142). In disasters, the importance of these cooperative networks is highlighted. Altruism is also visible in the wake of disaster, and Solnit proposes that the creation of meaning is an evolutionarily adaptive trait. When the community is meaningful to a person, they are more willing to sacrifice themselves for its good and thus ensure its long-term survival.

Chapter 7 Summary: “From the Blitz and the Bomb to Vietnam”

The chapter opens with a description of the first of 57 consecutive nights during which Germany bombed London during World War II. Prior to the bombing, politicians had worried about the effects of bombing like this on the public’s mental well-being; it was assumed that they would panic. Mass shelters were discouraged, and small-group shelters were promoted. Despite this, Londoners began flocking to the metro stations underground, and eventually the authorities were forced to install bunks and sanitation units to accommodate the growing numbers.

Many Londoners reported a dissolved sense of boundaries between strangers, a general sense of resoluteness, and, while there was fear, a sense of hardened toughness. One young woman, after being bombed, reported “pure and flawless happiness” (155), which Solnit proposes is because being bombed was like a near-death experience in which the value of life is put into stark relief.

Charles Fritz, an American stationed in England, wrote an essay on citizens’ morale during the war, describing a nation of “gloriously happy people, enjoying life to the fullest” (157). After the war, he earned a degree in sociology and became director of the University of Chicago’s Disaster Research Project, which sought to understand how citizens were reacting to the Cold War and the threat of nuclear war. Fritz was optimistic about citizens’ ability to handle disaster-like scenarios. He refuted the belief that in disasters people tend to riot and act selfishly or to become so helpless that they require outside help.

Fritz’s work came during the height of the Cold War, when the military believed citizen panic during a nuclear bombing could pose at least as much of a danger as the bombing itself. Citizens were encouraged to build family bomb shelters in their backyards rather than Soviet-style collective ones. The government did little to build shelters; as Solnit says, “destruction was the government’s job, survival the citizen’s” (165). Citizens balked at these private shelters, remarkable in a time when “collective solutions and solidarities smacked communism” (168).

One of Fritz’s most radical arguments is that “everyday life is already a disaster of sorts, one from which actual disaster liberates us” (161). Disasters can restore the community identity that is diminished in modern society and offer “temporary solutions” for the chronic loneliness and suffering of modern life. Disasters demand focus on the present, pose problems with straightforward solutions, require collective thinking, and temporarily alleviate worries about the future. Importantly, in disaster, “threats and dangers to the society come from outside the system” and have clear causes (163). Most other crises “arise within the system” (152), and their source is harder to identify and agree upon.

Solnit then asks how the feeling of solidarity that arises in disaster can be harnessed outside of disaster settings. She cites firefighters and practicing members of religious groups. She finishes the chapter by discussing how religion is a “practice” of turning one’s self “into something more adequate to the circumstances we face, more able to respond with grace and generosity, to achieve less temporary liberation” (173). Religious communities often emphasize the connection of all things, altruism, and the cultivation in everyday life of the qualities that are most needed in disaster.

Solnit writes that contemporary language “speaks of the effects of disaster entirely as trauma” (177). For Buddhists, however, suffering is inevitable, and the question becomes what to make of suffering rather than how to avoid it. Solnit writes that “disaster could be called a crash course in Buddhist principles of compassion” (178), connectedness, the present moment, and embracing uncertainty. Religion more broadly can help “to achieve some of disaster’s fruits without its damage and loss” by cultivating the community spirit that can make disaster so liberating (178).

Chapter 8 Summary: “Hobbes in Hollywood, Or the Few Versus the Many”

This chapter opens with short descriptions of several disaster action films, which display panic and mob behavior and, often, attempts to suppress the public’s knowledge of a disaster to avoid mob behavior. These films, like news media, feed the notion that mobs arise in disaster. Fritz’s colleague, Enrico Quarantelli, writes that though fear is (reasonably) present in disaster, outright panic is rare. Films rely on the background of the unruly mob to make the hero look good in contrast—composed, attractive, and capable. Films often, correctly, portray bureaucracy as clunky and inept. They often, however, “portray the problem as resulting from the human beings involved rather than the social systems in which they operate” (168).

In a twist on the usual narrative of an unruly mob of common people, sociologist Kathleen Tierney proposes the notion of elite panic, in which the wealthy grow irrationally fearful of losing their power in the face of disaster. This fear is manifested in an “obsession with looting and property crime” and “willingness to use deadly force” (190).

Sociologists who have researched disasters advocate for an “open society based on trust in which people are free to exercise their capacities for improvisation, altruism, and solidarity” in disaster settings (191). This idea is further reinforced by a story of Milwaukee’s 1894 smallpox outbreak, in which the elite were permitted to self-quarantine, but the poor were forcibly taken to hospitals. This unequal treatment led people to hide cases from the authorities and riot against forcible removal. In New York’s 1947 smallpox outbreak, by contrast, people were treated as allies; in those conditions, it was seen as a civic duty to get vaccinated, and public compliance was high. Still, elite panic is a common reaction to disaster. In fearing the public, elites often ending up endangering the public.

Part 2 Analysis

The Halifax explosion of 1917 was the result of an accident in which two ships, one carrying thousands of tons of explosives bound for the European front of World War I, collided in the Halifax harbor. The explosion that resulted was the largest human-caused explosion in history.

While this section focuses primary on the Halifax explosion, it covers a particularly wide number of disasters and settings, covering, as its title suggests, the German Blitz bombing, military research on citizen’s reactions to the threat of nuclear warfare, and the Vietnam War. Most of the stories investigate questions of human nature, which can be divided according to two main categories of people: those optimistic about the inherent goodness of people, and those who believe people must be controlled or they will act selfishly and destructively.

“A Tale of Two Princes” introduces three key thinkers—Samuel Prince, Gustav Le Bon, and Peter Kropotkin— who demonstrate the diversity in thoughts on human nature in the early 20th century. In particular, Le Bon and Kropotkin are used as symbols of two extreme modes of thinking on human nature. On one hand, Le Bon reflects the beliefs of authorities and elites that have been carried throughout history. His belief in the inherent self-centeredness of people and the uncivility of crowds speaks to a pessimistic view of human nature, especially in community. On the other hand, the anarchist Kropotkin represents the belief that humans are inherently cooperative and socially gregarious. The political implications of these beliefs, notably in disaster settings, are continually explored throughout the book.

Both Kropotkin and Le Bon use scientific thought to make their political arguments. Social Darwinist thought underpins Le Bon’s beliefs. This pseudoscientific application of evolutionary science to human societies proposed that the “conduct of contemporary human beings inevitably echoed their own primordial behavior” and blamed people for their place in society (124)—if you were poor, it was because you were “unfit,” not because of oppression. On the other hand, Kropotkin cites evolutionary evidence for cooperation, providing examples from birds, insects, and mammals as well as previous human societies. Founder of disaster studies Samuel Prince is ambivalent on this topic but is informed by both of these extreme views.

In “Hobbes in Hollywood,” Solnit begins by describing several films in which the public is depicted as dangerous and better off not knowing about a threat, lest they panic. This method of listing examples reinforces the frequency with which the media rely on these narratives. Her description of the masculine hero who is usually the only one acting logically in these disaster films sets the stage for her description of Bush’s role in 9/11.

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