53 pages • 1 hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Alcohol appears frequently throughout A Fable. Characters from every background indulge their vices by drinking alcohol. Doing so functions as a form of social bonding and a way to ratify connections between disparate characters. Alcohol has different meanings depending on the social class of those involved, however; the characters’ relation to alcohol is affected by their status. For the officers, alcohol is an indulgence which separates them from the enlisted men. While those in the trenches must scrimp and save whatever cheap alcohol they can acquire from the local French civilians, the officers on both sides sip fine brandies as a way to relax after a long day of sending enlisted men to die in battle. This is in evidence during the meeting between the French, American, British, and German generals. The men settle into a familiar pattern of drinking, even those who do not usually drink. They toast one another and they toast their vision of war, reaffirming their shared ideologies and status as a way to communicate across divides such as language and nationality. They may be on separate sides that have spent four years trying to exterminate one another, but there is nothing that should stop civilized, polite officers from sharing a drink.
The brandy toasts between generals contrasts between the enlisted men’s attempts to acquire similar alcohol during the mission to recover a body to place in the coffin. At the end of the novel, in the dying days of the war, the enlisted men have been traumatized by what they have seen. Alcohol is a way for them to cope with the traumatic memories that they have built up over the years. The mission to find a body to place in the cheap coffin is a physical reenactment of the way in which this trauma resurfaces, as they are sent back into the battlefield to collect a dead body which could belong to anyone. They are brought face to face with death and their only way in which to complete the mission is to drink so much alcohol that they can hardly think. Whereas the officers are able to sip brandy to demonstrate their shared system of etiquette and social class, the enlisted men use the alcohol as a tool to forget the terrors inflicted on them by the officers and the politicians. For them, alcohol is a means to an end, a tool which can be used to reduce the effects of torture. Alcohol is physically damaging remedy for their psychological condition, but they lack the resources needed to deal with their trauma in a more sustainable manner. Alcohol is a treat for the officers but a perceived necessity for the enlisted men.
The wine served during the corporal and his men’s last supper also serves a symbolic purpose. The wine is a symbolic allusion to the corporal’s allegorical role of Jesus Christ. Like Christ’s last supper, the corporal is served wine. The men sip the wine which, in Christianity, has become part of the holy communion and a way to form a spiritual bond with God. Sipping wine with the corporal is an act of devotion which will stay with them, even after his execution. In this moment, the symbolism of the officers’ and the enlisted men’s relation to alcohol is brought together. They sip wine as a form of social and ideological bonding, but also as a way to deal with the imminent trauma of their failure. They know that this is their last supper, and the wine becomes a coping mechanism and a symbolic reminder, not only of what they are about to lose but what they have fought for during their campaign for peace.
In exchange for victories or acts of bravery, soldiers are given medals. These medals are symbols of supposedly glorious achievements, meant to be worn with pride by those who earned them. As well as the enlisted men, the officers also win medals for successful campaigns they led. At the beginning of the war, when many men entered into the military for the first time, these medals were proud achievements. The characters still hold on to the medals they won in early battles, such as the First Battle of the Somme. Gradually, however, the appeal of these medals began to fade. The glory of war, as represented by the medals, gave way to the reality of life in the trenches. For the enlisted men, the gleaming medals contrasted with the grim, dirty life in the trenches. The medals on the breasts of their officers, who lived in barracks far behind the front lines, become symbols of resentment and the building Class War which is emerging throughout the trenches, led by the corporal and his disciples.
While the medals are supposed to represent glorious and hard-fought victories, however, they also function as painful reminders of everything that has been ventured and lost. After four years of fighting, the French, German, and British troops have moved back and forth over the same territory without achieving much at all. At various times, the Germans have occupied a place, only to lose it to the French, only to gain it back again. As the war rages on, these medals come to appear as symbols of trauma for the enlisted men. Each medal represents a brutal battle or a friend lost. At the same time, the enlisted men are still stationed in the same location as before. They can hold their medal and observe the same piece of ground where they earned their medals. The contrast between the destroyed countryside, littered with bodies, and the inadequacy of the medal symbolizes why the corporal’s message is so appealing. The men are exhausted. They are tired of fighting and dying, they are sick of risking everything for nothing but small, inconsequential medals. These seemingly worthless medals no longer function as symbols of glory, but as symbols of the meaninglessness of war. They have achieved nothing but death and medals, so each medal is a timely reminder of their desire to find a way out of their bleak situation. For the enlisted men, the medals have a new function. They serve as a physical item onto which they can project their resentment. The rage and the fury which are felt toward those in charge are now directed at the meaningless trinkets which are handed out after every battle.
As the war draws to a close, the maimed runner seeks out the corporal’s family and collects the dead man’s medal. To the runner, the medal is a bitterly ironic symbol of a failed idea. The executed man tried and failed to change the war and the world. The medal, won during the early days of the war, represents a brighter, more optimistic time which the runner now believes must be used for good. Rather than bury it with the corporal or leave it to lay in the back of a closet, however, he wishes to use the medal in a symbolic manner. He interrupts the funeral of the marshal by throwing the corporal’s medal at the dead man’s coffin. The hurled medal is a symbolic rebuke of the mythology of the glorious general, a symbolic reminder that the man executed his own son to continue a brutal war. However, the runner is ignored and the medal is lost. As such, the medal becomes a symbol of the civilian population’s desire to ignore reality and to believe in the myth of the marshal as a good, honorable man.
Ammunition is an essential part of war. World War I demanded, at the point at which it was fought, more ammunition than any other conflict in the history of mankind. The sheer scale of the demand for ammunition and the quick rate at which it was used symbolizes the way in which this war transcended expectations of what a war could be. In terms of scale and lives lost, World War I exceeded everything that had come before and the constant need for ammunition—as portrayed in the novel with the constant movement of trucks and shells—is a vital symbol of the way in which the war differed from those before it. Similarly, the effect of the ammunition has a transformative effect on the French countryside. The vast crater holes and the burned-out fields are caused by the exploding ammunition; the damage done to the countryside by the ammunition is a symbolic echo of the transformation inflicted on the human psyche by the war. The ammunition and the war it represents changed the minds of the people involved, just as it reshaped the physical geography of the battlefield.
When the pilot Levine is sent up to flank the German general in his plane, he is surprised to find that his plane’s ammunition is nothing more than blank tracer rounds. These small, ineffective projectiles are not strong enough to damage the enemy’s plane but the tracer-element of the rounds leaves long streaks of phosphorus in the air. These streaks of phosphorus, coupled with the ineffectiveness of the bullets, confuse Levine. He wants to know why his attack on the enemy plane is not having the desired effect and he does not know that his ammunition is deliberately ineffective. Levine’s frustration with his ammunition symbolizes his and other enlisted men’s search for a hidden truth behind why they are sent into battle. The tracer rounds are long, phosphorus-hued illustrations of the disconnect between the generals and everyone below them.
Part of the corporal’s plan to bring about a sudden peace includes the changing of the artillery ammunition behind the lines. For months, the corporal and his disciples wander around behind the lines. They encourage their fellow soldiers to switch out their ammunition for blanks. When the peace breaks out, the generals try to remedy the situation by firing barrages of artillery. These artillery shells are blank and thus ineffective. The blank ammunition is a symbolic mutiny, married to the actual mutiny. The enlisted men are showing the officers how ineffective their guns can be. However, the rounds are quickly switched out for the real artillery shells, such as those that injure the runner. The brief outbreak of ineffective blank artillery and the desperate speed with which the artillery is made destructive and deadly once again is a symbolic illustration of the generals’ desperation to return their war to a state of brutal normality.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By William Faulkner
Allegories of Modern Life
View Collection
American Literature
View Collection
Appearance Versus Reality
View Collection
Challenging Authority
View Collection
Class
View Collection
Class
View Collection
Colonialism & Postcolonialism
View Collection
Fate
View Collection
Fear
View Collection
Grief
View Collection
Hate & Anger
View Collection
Historical Fiction
View Collection
Memorial Day Reads
View Collection
Military Reads
View Collection
Mortality & Death
View Collection
Nation & Nationalism
View Collection
Nobel Laureates in Literature
View Collection
Order & Chaos
View Collection
Power
View Collection
Pulitzer Prize Fiction Awardees &...
View Collection
War
View Collection